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2017 | OriginalPaper | Chapter

8. Production, Perception and Cognition

Authors : Asoke Kumar Datta, Sandeep Singh Solanki, Ranjan Sengupta, Soubhik Chakraborty, Kartik Mahto, Anirban Patranabis

Published in: Signal Analysis of Hindustani Classical Music

Publisher: Springer Singapore

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Abstract

This chapter is devoted to muse over the basic principles behind the making of music instead of presenting a synopsis of techniques and technologies used in modern day music production. In the introductory chapter we attempted a comprehensive definition of music. Let us add further that music as an acoustical emotive (except for the emotion of anger, disgust) communication, generally universal in nature. The simultaneity of the three elements acoustics, emotion, and universality (not in the absolute sense) is integral to the definition.

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previous chapter Gharana Identification
next chapter Automatic Musical Instrument Recognition
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Metadata
Title
Production, Perception and Cognition
Authors
Asoke Kumar Datta
Sandeep Singh Solanki
Ranjan Sengupta
Soubhik Chakraborty
Kartik Mahto
Anirban Patranabis
Copyright Year
2017
Publisher
Springer Singapore
Book
Signal Analysis of Hindustani Classical Music

Print ISBN: 978-981-10-3958-4

Electronic ISBN: 978-981-10-3959-1

Copyright Year: 2017

DOI
https://doi.org/10.1007/978-981-10-3959-1_8