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2020 | OriginalPaper | Chapter

7. Scholarly Ventures

Author : Omid Azadibougar

Published in: World Literature and Hedayat’s Poetics of Modernity

Publisher: Springer Singapore

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Abstract

This chapter addresses Hedayat’s scholarly writing and his pioneering research on folklore and oral culture, as well as their implications for his reception. This is a fascinating part of Hedayat’s literary career because understanding the logic of his lifelong interest in folklore in particular, elaborated on in introductory notes, is essential for forming a more comprehensive image of him as a modern author and further clarifies his relationship with (European) modernity. In fact, there is a clear link between his research on folklore, his translation interests, and his fictional writing, which cannot be, as it is often thought, solely explained through nationalist interests. In folklore, he found the echoes of an ancient pre-national humanity, as opposed to the modernity he critiqued, and the possibility of expanding one’s imagination. Neglected until then in scholarship, folklore’s universality created continuity in human history and brought it close to an idea of world literature—what he found inspiring for contemporary society.

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Footnotes
1
It is not clear what exactly Hedayat has in mind using the word Semite, but it is highly likely that he is referring to the Muslim language and culture and opposes them as a race and religion to the Aryans (i.e., Iranians).
 
2
It is probably this passage that encouraged Casanova to argue Hedayat resorted to Khayyam as part of his literary heritage to counter religious institutions. Besides the fact that religious ideas are only mentioned at this point in the introduction, this passage does not exist in the first version that had been previously published.
 
3
Before moving to Europe, Hedayat had subscribed to a French magazine, La Protection des Animaux, and had received issues 36–65 of the publication. He annotated the contents which are reproduced in a new version of Humans and Animals (Hedayat 2016, 28–44).
 
4
Letter to Taqi Razavi, dated October, 6 1925.
 
5
Ahmad Shamlu (1925–2000) did not manage to complete this fascinating project on his own. So far, a small number of volumes in the series have been published but the fate of the rest of the project is in jeopardy because of lack of funding and legal issues among his heirs.
 
6
Hedayat cites Ambroise Morton on folklore and the Grimm Brothers on folktales.
 
7
As discussed in the chapters on his fictional work, he intentionally casts doubt on certainties as a response to rising scientific or pseudoscientific explanations that had grasped Iranian imagination at the dawn of modernization and presented everything in clear-cut terms, as if there was nothing else to wonder about. This critical stance falsifies both nativist and orientalist assertions about the nature of his work, cited in Chapter 1.
 
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Metadata
Title
Scholarly Ventures
Author
Omid Azadibougar
Copyright Year
2020
Publisher
Springer Singapore
DOI
https://doi.org/10.1007/978-981-15-1691-7_7