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2020 | OriginalPaper | Chapter

The Drawn City and the Reconstruction of a Collective Model

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Abstract

A new way of thinking and representing the city, which follows the re-configuration of the post-earthquake L’Aquila. The research is created from a study proposal meant for the “Architecture Design Workshop” (University of L’Aquila), which tries to apply the analysis of the urban “places” by Quaroni, Samonà, Rossi, Lynch and others, to the architectonic singularity of the Aquilian historic centre. Many projects, remarks, restorations, old and new works were generated after the earthquake, and we can feel the irreducible tension between the tourt court re-proposal of an historical model of city and the necessary creation of a new one. The result of the class is the inclusive remark of peculiar parts of the historical city, through direct and photogrammetric methods, of an urban landscape idea.
The long-time aim we have is to regain, having Gordon Cullen’s “serial visions” as a model, the theoretical streams about perception and urban enjoyment, in order to implement the methodological training of future careers that are meant to project, study and use the architectonic and environmental heritage.

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Footnotes
1
About the meaning of “eidotipo”, we used Docci and Maestri (2009): «[…] il primo grafico, o eidotipo, deve rappresentare l’oggetto da rilevare (nella configurazione prescelta, pianta, sezione) riproducendone dimensioni e proporzioni con cura e precisione. Se il disegno sarà così realizzato, potrà anche aiutare a evidenziare eventuali grossolani errori di prelievo delle misure. Il concetto teorico sotteso a questi grafici è che essi devono rendere “discreto” ciò che è continuo, riproducendo con un numero limitato di segni il soggetto che rappresentano.».
 
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Metadata
Title
The Drawn City and the Reconstruction of a Collective Model
Authors
Giuseppe Maria Antonio Romeo
Barbara Cantalini
Copyright Year
2020
DOI
https://doi.org/10.1007/978-3-030-41018-6_68

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