2014 | OriginalPaper | Chapter
The Rise of the Dispositif
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In 2003, the low-budget Danish film The Five Obstructions was an unlikely success in art house cinemas, around film festivals, and subsequently on DVD; it has become so popular in film study courses that an entire book (in English), compiled by Mette Hjort, was devoted to it in 2008. The film itself is simple yet novel, and paradoxically involving for what is, essentially, an exercise in conceptual art.