Skip to main content
Top

2015 | OriginalPaper | Chapter

7. An Enactive Model of Creativity for Computational Collaboration and Co-creation

Authors : Nicholas Davis, Chih-Pin Hsiao, Yanna Popova, Brian Magerko

Published in: Creativity in the Digital Age

Publisher: Springer London

Activate our intelligent search to find suitable subject content or patents.

search-config
loading …

Abstract

The modern landscape of computing has rapidly evolved with breakthroughs in new input modalities and interaction designs, but the fundamental model of humans giving commands to computers is still largely dominant. A small but growing number of projects in the computational creativity field are beginning to study and build creative computers that are able to collaborate with human users as partners by simulating, to various degrees, the collaboration that naturally occurs between humans in creative domains (Biles, Leonardo, 36:43–45, 2003; Lubart, Int J Hum Comput Stud, 63:365–369, 2005; Hoffman and Weinberg, Shimon: an interactive improvisational robotic marimba player. In: CHI’10 extended abstracts on human factors in computing systems, ACM, New York, pp 3097–3102, 2010; Zook et al., Understanding human creativity for computational play. In: 8th ACM conference on creativity and cognition, 2011; Davis et al., Building artistic computer colleagues with an enactive model of creativity, 2014). If this endeavor proves successful, the implications for HCI and the field of computing in general could be significant. Creative computers could understand and work alongside humans in a new hybrid form of human-computer co-creativity that could inspire, motivate, and perhaps even teach creativity to human users through collaboration.

Dont have a licence yet? Then find out more about our products and how to get one now:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Technik"

Online-Abonnement

Mit Springer Professional "Technik" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 390 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Maschinenbau + Werkstoffe




 

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literature
go back to reference Adamson RE (1952) Functional fixedness as related to problem solving: a repetition of three experiments. J Exp Psychol 44(4):288–291CrossRef Adamson RE (1952) Functional fixedness as related to problem solving: a repetition of three experiments. J Exp Psychol 44(4):288–291CrossRef
go back to reference Arnheim R (1954) Art and visual perception. University of California Press, Oakland Arnheim R (1954) Art and visual perception. University of California Press, Oakland
go back to reference Barsalou LW (1999) Perceptual symbol systems. Behav Brain Sci 22(04):637–660CrossRef Barsalou LW (1999) Perceptual symbol systems. Behav Brain Sci 22(04):637–660CrossRef
go back to reference Biles JA (2003) GenJam in perspective: a tentative taxonomy for GA music and art systems. Leonardo 36(1):43–45CrossRef Biles JA (2003) GenJam in perspective: a tentative taxonomy for GA music and art systems. Leonardo 36(1):43–45CrossRef
go back to reference Boden MA (2004) The creative mind: myths and mechanisms. Psychology Press, New YorkCrossRef Boden MA (2004) The creative mind: myths and mechanisms. Psychology Press, New YorkCrossRef
go back to reference Bono ED (1970) Lateral thinking: a textbook of creativity. Ward Lock Educational/El pensamiento lateral: manual de creatividad, Londres/Versión española Bono ED (1970) Lateral thinking: a textbook of creativity. Ward Lock Educational/El pensamiento lateral: manual de creatividad, Londres/Versión española
go back to reference Candy L (1997) Computers and creativity support: knowledge, visualisation and collaboration. Knowl-Based Syst 10(1):3–13MathSciNetCrossRef Candy L (1997) Computers and creativity support: knowledge, visualisation and collaboration. Knowl-Based Syst 10(1):3–13MathSciNetCrossRef
go back to reference Carroll EA, Latulipe C, Fung R, Terry M (2009) Creativity factor evaluation: towards a standardized survey metric for creativity support. In: Proceedings of the seventh ACM conference on creativity and cognition. ACM, New York, pp 127–136 Carroll EA, Latulipe C, Fung R, Terry M (2009) Creativity factor evaluation: towards a standardized survey metric for creativity support. In: Proceedings of the seventh ACM conference on creativity and cognition. ACM, New York, pp 127–136
go back to reference Colton S, Wiggins GA (2012) Computational creativity: the final frontier? In: Proceedings of European conference on artificial intelligence, pp 21–26 Colton S, Wiggins GA (2012) Computational creativity: the final frontier? In: Proceedings of European conference on artificial intelligence, pp 21–26
go back to reference Colton S, Goodwin J, Veale T (2012) Full face poetry generation. In: Proceedings of the third international conference on computational creativity. International Conference on Computational Creativity, pp 95–102 Colton S, Goodwin J, Veale T (2012) Full face poetry generation. In: Proceedings of the third international conference on computational creativity. International Conference on Computational Creativity, pp 95–102
go back to reference Csikszentmihalyi M (1997) Flow and the psychology of discovery and invention. HarperPerennial, New York Csikszentmihalyi M (1997) Flow and the psychology of discovery and invention. HarperPerennial, New York
go back to reference Davis N, Li B, O’Neill B, Riedl M, Nitsche M (2011) Distributed creative cognition in digital filmmaking. In: Proceedings of the 8th ACM conference on creativity and cognition. ACM, New York, pp 207–216 Davis N, Li B, O’Neill B, Riedl M, Nitsche M (2011) Distributed creative cognition in digital filmmaking. In: Proceedings of the 8th ACM conference on creativity and cognition. ACM, New York, pp 207–216
go back to reference Davis N, Popova Y, Sysoev I, Hsiao CP, Zhang D, Magerko B (2014) Building artistic computer colleagues with an enactive model of creativity. In: Proceedings of the fifth international conference on computational creativity. The International Association for Computational Creativity, pp 38–45 Davis N, Popova Y, Sysoev I, Hsiao CP, Zhang D, Magerko B (2014) Building artistic computer colleagues with an enactive model of creativity. In: Proceedings of the fifth international conference on computational creativity. The International Association for Computational Creativity, pp 38–45
go back to reference De Jaegher H (2009) Social understanding through direct perception? Yes, by interacting. Conscious Cogn 18(2):535–542CrossRef De Jaegher H (2009) Social understanding through direct perception? Yes, by interacting. Conscious Cogn 18(2):535–542CrossRef
go back to reference Dixon D, Prasad M, Hammond T (2010) iCanDraw: using sketch recognition and corrective feedback to assist a user in drawing human faces. In: Proceedings of the SIGCHI conference on human factors in computing systems. ACM, New York, pp 897–906 Dixon D, Prasad M, Hammond T (2010) iCanDraw: using sketch recognition and corrective feedback to assist a user in drawing human faces. In: Proceedings of the SIGCHI conference on human factors in computing systems. ACM, New York, pp 897–906
go back to reference Engel AK (2010) Directive minds: how dynamics shapes cognition. In: Enaction: towards a new paradigm for cognitive science. MIT Press, Cambridge, MA, pp 219–243CrossRef Engel AK (2010) Directive minds: how dynamics shapes cognition. In: Enaction: towards a new paradigm for cognitive science. MIT Press, Cambridge, MA, pp 219–243CrossRef
go back to reference Gabora L (2010) Revenge of the “neurds”: characterizing creative thought in terms of the structure and dynamics of memory. Creat Res J 22(1):1–13CrossRef Gabora L (2010) Revenge of the “neurds”: characterizing creative thought in terms of the structure and dynamics of memory. Creat Res J 22(1):1–13CrossRef
go back to reference Gaspar JM, McDonald JJ (2014) Suppression of salient objects prevents distraction in visual search. J Neurosci 34(16):5658–5666CrossRef Gaspar JM, McDonald JJ (2014) Suppression of salient objects prevents distraction in visual search. J Neurosci 34(16):5658–5666CrossRef
go back to reference Gibson JJ (1979) The ecological approach to visual perception. Lawrence Erlbaum Associates, Hillsdale Gibson JJ (1979) The ecological approach to visual perception. Lawrence Erlbaum Associates, Hillsdale
go back to reference Glenberg AM (1997) What memory is for: creating meaning in the service of action. Behav Brain Sci 20(01):41–50CrossRef Glenberg AM (1997) What memory is for: creating meaning in the service of action. Behav Brain Sci 20(01):41–50CrossRef
go back to reference Goldschmidt G (1991) The dialectics of sketching. Creat Res J 4(2):123–143CrossRef Goldschmidt G (1991) The dialectics of sketching. Creat Res J 4(2):123–143CrossRef
go back to reference Guilford JP (1970) Creativity: retrospect and prospect*. J Creat Behav 4(3):149–168CrossRef Guilford JP (1970) Creativity: retrospect and prospect*. J Creat Behav 4(3):149–168CrossRef
go back to reference Havelange V (2010) The ontological constitution of cognition and the epistemological constitution of cognitive science: phenomenology, enaction and technology. In: Enaction: towards a new paradigm for cognitive science. MIT Press, Cambridge, MA, pp 335–360 Havelange V (2010) The ontological constitution of cognition and the epistemological constitution of cognitive science: phenomenology, enaction and technology. In: Enaction: towards a new paradigm for cognitive science. MIT Press, Cambridge, MA, pp 335–360
go back to reference Hewett T, Czerwinski M, Terry M, Nunamaker J, Candy L, Kules B, Sylvan E (2005) Creativity support tool evaluation methods and metrics. Creativity Support Tools, 10–24 Hewett T, Czerwinski M, Terry M, Nunamaker J, Candy L, Kules B, Sylvan E (2005) Creativity support tool evaluation methods and metrics. Creativity Support Tools, 10–24
go back to reference Hodhod R, Piplica A, Magerko B (2012) A formal architecture of shared mental models for computational improvisational agents. In: Intelligent virtual agents. Springer, Berlin/Heidelberg, pp 440–446CrossRef Hodhod R, Piplica A, Magerko B (2012) A formal architecture of shared mental models for computational improvisational agents. In: Intelligent virtual agents. Springer, Berlin/Heidelberg, pp 440–446CrossRef
go back to reference Hoffman G, Weinberg G (2010) Shimon: an interactive improvisational robotic marimba player. In: CHI’10 extended abstracts on human factors in computing systems. ACM, New York, pp 3097–3102 Hoffman G, Weinberg G (2010) Shimon: an interactive improvisational robotic marimba player. In: CHI’10 extended abstracts on human factors in computing systems. ACM, New York, pp 3097–3102
go back to reference Hutchins E (1995) Cognition in the wild. The MIT Press, Cambridge, MA Hutchins E (1995) Cognition in the wild. The MIT Press, Cambridge, MA
go back to reference Lubart T (2005) How can computers be partners in the creative process: classification and commentary on the special issue. Int J Hum Comput Stud 63(4):365–369CrossRef Lubart T (2005) How can computers be partners in the creative process: classification and commentary on the special issue. Int J Hum Comput Stud 63(4):365–369CrossRef
go back to reference Mace MA, Ward T (2002) Modeling the creative process: a grounded theory analysis of creativity in the domain of art making. Creat Res J 14(2):179–192CrossRef Mace MA, Ward T (2002) Modeling the creative process: a grounded theory analysis of creativity in the domain of art making. Creat Res J 14(2):179–192CrossRef
go back to reference Mamykina L, Candy L, Edmonds E (2002) Collaborative creativity. Commun ACM 45(10):96–99CrossRef Mamykina L, Candy L, Edmonds E (2002) Collaborative creativity. Commun ACM 45(10):96–99CrossRef
go back to reference McCorduck P (1991) Aaron’s code. WH Freeman & Co., New York McCorduck P (1991) Aaron’s code. WH Freeman & Co., New York
go back to reference Nakakoji K (2006) Meanings of tools, support, and uses for creative design processes. In: International design research symposium ‘06, Seoul Nakakoji K (2006) Meanings of tools, support, and uses for creative design processes. In: International design research symposium ‘06, Seoul
go back to reference Newell A, Shaw JC, Simon HA (1959) The processes of creative thinking. Rand Corporation, Santa Monica Newell A, Shaw JC, Simon HA (1959) The processes of creative thinking. Rand Corporation, Santa Monica
go back to reference Noë A (2004) Action in perception. MIT Press, Cambridge, MA Noë A (2004) Action in perception. MIT Press, Cambridge, MA
go back to reference Norman DA (1999) Affordance, conventions, and design. Interactions 6(3):38–43CrossRef Norman DA (1999) Affordance, conventions, and design. Interactions 6(3):38–43CrossRef
go back to reference Rawlinson JG (1981) Creative thinking and brainstorming. Gower, Farnborough Rawlinson JG (1981) Creative thinking and brainstorming. Gower, Farnborough
go back to reference Schön DA (1992) Designing as reflective conversation with the materials of a design situation. Knowl-Based Syst 5(1):3–14CrossRef Schön DA (1992) Designing as reflective conversation with the materials of a design situation. Knowl-Based Syst 5(1):3–14CrossRef
go back to reference Shneiderman B, Fischer G, Czerwinski M, Resnick M, Myers B, Candy L, Terry M (2006) Creativity support tools: report from a US National Science Foundation sponsored workshop. Int J Hum Comput Interact 20(2):61–77CrossRef Shneiderman B, Fischer G, Czerwinski M, Resnick M, Myers B, Candy L, Terry M (2006) Creativity support tools: report from a US National Science Foundation sponsored workshop. Int J Hum Comput Interact 20(2):61–77CrossRef
go back to reference Smith SM, Ward TB, Finke RA (eds) (1995) The creative cognition approach. MIT Press, Cambridge, MA Smith SM, Ward TB, Finke RA (eds) (1995) The creative cognition approach. MIT Press, Cambridge, MA
go back to reference Stewart JR, Gapenne O, Di Paolo EA (eds) (2010) Enaction: toward a new paradigm for cognitive science. MIT Press, Cambridge, MA Stewart JR, Gapenne O, Di Paolo EA (eds) (2010) Enaction: toward a new paradigm for cognitive science. MIT Press, Cambridge, MA
go back to reference Suchman L (1986) Plans and situated actions. Cambridge University, New York Suchman L (1986) Plans and situated actions. Cambridge University, New York
go back to reference Suwa M, Tversky B (1997) What do architects and students perceive in their design sketches? A protocol analysis. Des Stud 18(4):385–403CrossRef Suwa M, Tversky B (1997) What do architects and students perceive in their design sketches? A protocol analysis. Des Stud 18(4):385–403CrossRef
go back to reference Varela FJ, Rosch E, Thompson E (1991) The embodied mind: cognitive science and human experience. MIT Press, Cambridge, MACrossRef Varela FJ, Rosch E, Thompson E (1991) The embodied mind: cognitive science and human experience. MIT Press, Cambridge, MACrossRef
go back to reference Veale T, Hao Y (2008) A fluid knowledge representation for understanding and generating creative metaphors. In: Proceedings of the 22nd international conference on computational linguistics, vol 1. Association for Computational Linguistics, Stroudsburg, PA, pp 945–952 Veale T, Hao Y (2008) A fluid knowledge representation for understanding and generating creative metaphors. In: Proceedings of the 22nd international conference on computational linguistics, vol 1. Association for Computational Linguistics, Stroudsburg, PA, pp 945–952
go back to reference Yokochi S, Okada T (2005) Creative cognitive process of art making: a field study of a traditional Chinese ink painter. Creat Res J 17(2–3):241–255CrossRef Yokochi S, Okada T (2005) Creative cognitive process of art making: a field study of a traditional Chinese ink painter. Creat Res J 17(2–3):241–255CrossRef
go back to reference Zook A, Magerko B, Riedl M (2011) Formally modeling pretend object play. In: Proceedings of the 8th ACM conference on creativity and cognition. ACM, New York, pp 147–156 Zook A, Magerko B, Riedl M (2011) Formally modeling pretend object play. In: Proceedings of the 8th ACM conference on creativity and cognition. ACM, New York, pp 147–156
Metadata
Title
An Enactive Model of Creativity for Computational Collaboration and Co-creation
Authors
Nicholas Davis
Chih-Pin Hsiao
Yanna Popova
Brian Magerko
Copyright Year
2015
Publisher
Springer London
DOI
https://doi.org/10.1007/978-1-4471-6681-8_7