Skip to main content
Top

2019 | OriginalPaper | Chapter

11. Exhibiting the “Making of” Gone with the Wind

Activate our intelligent search to find suitable subject content or patents.

search-config
loading …

Abstract

This chapter looks at what happens when Gone with the Wind and its making are variously consigned to and enshrined in “Making of” museums. It explores the spectrums of adaptation, ambivalence, perpetuation and contestation, and sponsorship and exposure of individual and collective imaginings presented by the three most prolific “Making of” Gone with the Wind museums in the American South. Cronin looks at the various cultural ends to which individual and collective imaginings (along with history, place, and the film and its making) are adapted in these “Making of” sites.

Dont have a licence yet? Then find out more about our products and how to get one now:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literature
go back to reference Atlanta History Center. 2018a. Panel text. “Making of a Film Legend: Gone with the Wind” exhibition. Margaret Mitchell House Museum, Atlanta. Visited 12 August 2018. Atlanta History Center. 2018a. Panel text. “Making of a Film Legend: Gone with the Wind” exhibition. Margaret Mitchell House Museum, Atlanta. Visited 12 August 2018.
go back to reference Atlanta History Center. 2018b. Wall text. Margaret Mitchell House Museum, Atlanta. Visited 12 August 2018. Atlanta History Center. 2018b. Wall text. Margaret Mitchell House Museum, Atlanta. Visited 12 August 2018.
go back to reference Barker, Deborah, and Kathryn McKee. 2011. American Cinema and the Southern Imaginary. Athens: University of Georgia Press. Barker, Deborah, and Kathryn McKee. 2011. American Cinema and the Southern Imaginary. Athens: University of Georgia Press.
go back to reference Cutchins, Dennis. 2017. “Bakhtin, Intertextuality, and Adaptation.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 71–86. Oxford: Oxford University Press. Cutchins, Dennis. 2017. “Bakhtin, Intertextuality, and Adaptation.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 71–86. Oxford: Oxford University Press.
go back to reference Dickey, Jennifer W. 2014. A Tough Little Patch of History: “Gone with the Wind” and the Politics of Memory. Fayetteville: University of Arkansas Press.CrossRef Dickey, Jennifer W. 2014. A Tough Little Patch of History: “Gone with the Wind” and the Politics of Memory. Fayetteville: University of Arkansas Press.CrossRef
go back to reference Doyle, Roddy. 2010. The Dead Republic. London: Penguin. Doyle, Roddy. 2010. The Dead Republic. London: Penguin.
go back to reference Eco, Umberto. 1979. The Role of the Reader. Bloomington: Indiana University Press. Eco, Umberto. 1979. The Role of the Reader. Bloomington: Indiana University Press.
go back to reference Goodman, Nelson. 1978. Ways of Worldmaking. Indianapolis: Hackett. Goodman, Nelson. 1978. Ways of Worldmaking. Indianapolis: Hackett.
go back to reference Hutcheon, Linda. 2013. A Theory of Adaptation. 2nd ed. New York: Routledge. Hutcheon, Linda. 2013. A Theory of Adaptation. 2nd ed. New York: Routledge.
go back to reference Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums and Heritage. Berkeley: University of California Press. Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums and Heritage. Berkeley: University of California Press.
go back to reference Landsberg, Alison. 2004. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press. Landsberg, Alison. 2004. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press.
go back to reference Lee, Spike. 2018. BlacKkKlansman. Focus Features. Lee, Spike. 2018. BlacKkKlansman. Focus Features.
go back to reference Lenk, Sabine. 2006. “Collections on Display: Exhibiting Artifacts in a Film Museum, with Pride.” Film History 18 (3): 320–21.CrossRef Lenk, Sabine. 2006. “Collections on Display: Exhibiting Artifacts in a Film Museum, with Pride.” Film History 18 (3): 320–21.CrossRef
go back to reference Marietta Gone with the Wind Museum. 2018a. Exhibition text. Brumby Hall, Marietta. Visited 13 August 2018. Marietta Gone with the Wind Museum. 2018a. Exhibition text. Brumby Hall, Marietta. Visited 13 August 2018.
go back to reference Marietta Gone with the Wind Museum. 2018b. “Marietta Gone with the Wind Museum at Historic Brumby Hall” flyer. Marietta Gone with the Wind Museum. Marietta Gone with the Wind Museum. 2018b. “Marietta Gone with the Wind Museum at Historic Brumby Hall” flyer. Marietta Gone with the Wind Museum.
go back to reference Miekle, Kyle. 2017. “Adaptation and Interactivity.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 542–56. Oxford: Oxford University Press. Miekle, Kyle. 2017. “Adaptation and Interactivity.” In The Oxford Handbook of Adaptation Studies, edited by Thomas Leitch, 542–56. Oxford: Oxford University Press.
go back to reference Morena, Jill Kristine. 2013. “Costume and ‘the Copy’: Defining Authenticity in the Analogue Original, the Reproduction, and the Digital Garment Within the Museum and Archive.” MA thesis, University of Texas at Austin. Morena, Jill Kristine. 2013. “Costume and ‘the Copy’: Defining Authenticity in the Analogue Original, the Reproduction, and the Digital Garment Within the Museum and Archive.” MA thesis, University of Texas at Austin.
go back to reference O’Briant, Dan. 1995. “The Mitchell Connection.” Atlanta Journal, March 29, B. O’Briant, Dan. 1995. “The Mitchell Connection.” Atlanta Journal, March 29, B.
go back to reference Road to Tara Museum. 2015. Exhibition text. The Road to Tara Museum, Jonesboro. Visited 3 April 2015. Road to Tara Museum. 2015. Exhibition text. The Road to Tara Museum, Jonesboro. Visited 3 April 2015.
go back to reference Wolf, Mark J. P. 2012. Building Imaginary Worlds: The Theory and History of Subcreation. New York: Routledge. Wolf, Mark J. P. 2012. Building Imaginary Worlds: The Theory and History of Subcreation. New York: Routledge.
Metadata
Title
Exhibiting the “Making of” Gone with the Wind
Author
Jan Cronin
Copyright Year
2019
DOI
https://doi.org/10.1007/978-3-030-28349-0_11