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2017 | OriginalPaper | Chapter

13. Interface Productions and Disability Programming for Channel 4: 1984–1986

Authors : Tony Steyger, Jamie Clarke

Published in: Documentary and Disability

Publisher: Palgrave Macmillan UK

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Abstract

Steyger and Clarke provide an account of the early disability programming made by Interface Productions at Channel 4. Their approach situates textual analysis of the programmes themselves within a framework informed by political economy, production studies and Steyger’s own first-hand testimony from his experience working at Interface. Their account suggests that the progressive politics of representation requires certain material and institutional prerequisites that are sometimes taken for granted in more abstract accounts. In doing so, the authors document some of the challenges that the Interface team faced in negotiating between the often-conflicting demands of the television community, the disabled communities and the production team themselves.

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Footnotes
1
Tony Steyger: ‘I worked as an unpaid researcher by day for Interface, but at night I would push Davies’ wheelchair around Soho, experiencing the mixture of bohemian nightlife and creative communities that the area had to offer in the early 1980s. The tacit understanding was that I would be able to direct any resulting programmes’.
 
2
Tony Steyger: ‘For instance, I had little formal training outside of video art and throughout the first phase, RPM’s Coutts and Orton provided me with invaluable guidance, such as the importance of filming cutaways and the editing workflow’.
 
Literature
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Metadata
Title
Interface Productions and Disability Programming for Channel 4: 1984–1986
Authors
Tony Steyger
Jamie Clarke
Copyright Year
2017
DOI
https://doi.org/10.1057/978-1-137-59894-3_13