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Published in: International Journal on Digital Libraries 1/2019

08-12-2018

An MEI-based standard encoding for hierarchical music analyses

Authors: David Rizo, Alan Marsden

Published in: International Journal on Digital Libraries | Issue 1/2019

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Abstract

We propose a standard representation for hierarchical musical analyses as an extension to the Music Encoding Initiative (MEI) representation for music. Analyses of music need to be represented in digital form for the same reasons as music: preservation, sharing of data, data linking, and digital processing. Systems exist for representing sequential information, but many music analyses are hierarchical, whether represented explicitly in trees or graphs or not. Features of MEI allow the representation of an analysis to be directly associated with the elements of the music analyzed. MEI’s basis in TEI (Text Encoding Initiative), allows us to design a scheme which reuses some of the elements of TEI for the representation of trees and graphs. In order to capture both the information specific to a type of music analysis and the underlying form of an analysis as a tree or graph, we propose related “semantic” encodings, which capture the detailed information, and generic “non-semantic” encodings which expose the tree or graph structure. We illustrate this with examples of representations of a range of different kinds of analysis.

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Footnotes
1
See for example the Variations projects at the Indiana University, http://​www.​dlib.​indiana.​edu/​projects/​variations3/​.
 
8
The relationships which a paradigmatic analysis shows, however, could be represented in the form of a graph, and so representation of paradigmatic analyses might be possible within the general framework we propose here. We leave development of this possibility to future work.
 
9
Yust argues that a graph better represents elaborations which depend on the melodic interval from one note to another; for the same reasons a graph representation was proposed in [22] but subsequently abandoned as excessively complex in computational terms.
 
11
A cadence is sequence of at least two chords helping to conclude a musical fragment.
 
12
A reduction is the removal of what a given analysis technique considers as non-essential or less important notes (see Fig. 13).
 
13
A progression is a sequence of chords or harmonic functions.
 
15
‘One Document Does it all’, a literate programming language for XML schemas.
 
16
A modulation is a temporary change of key.
 
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Metadata
Title
An MEI-based standard encoding for hierarchical music analyses
Authors
David Rizo
Alan Marsden
Publication date
08-12-2018
Publisher
Springer Berlin Heidelberg
Published in
International Journal on Digital Libraries / Issue 1/2019
Print ISSN: 1432-5012
Electronic ISSN: 1432-1300
DOI
https://doi.org/10.1007/s00799-018-0262-x

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