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2011 | OriginalPaper | Buchkapitel

2. Domestic Photography and Technological Paths

verfasst von : Dr. Risto Sarvas, Professor David M. Frohlich

Erschienen in: From Snapshots to Social Media - The Changing Picture of Domestic Photography

Verlag: Springer London

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Abstract

In this chapter, we go through the key concepts in our historical study. We use the term ‘domestic photography’ to describe the photographic activities of ordinary people taking and using images for non-professional purposes. Also, in our use of the term we focus on the kind of use in which photography is not a hobby as such but embedded in other activities. In charting our journey through domestic photography, we use the concept of ‘a technological path’ to describe an era of incremental development of technologies, stable domestic practices, and gradual change of relations between the actors constituting the technology. Approaching domestic photography as a history of technological paths enables us to look at it from a ‘macro’ perspective and to identify outlines and contours that could be overlooked from a more ‘micro’ perspective. From this angle of approach, we see three paths, each of which began with a technological discontinuity (i.e., a disruptive/radical innovation) and after an ‘era of ferment’ stabilised into a technological path.

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Fußnoten
1
Holland 2009, p. 130.
 
2
Coe and Gates 1977, p. 6.
 
3
Chalfen 1987; Holland 2009; Musello 1979; Zuromskis 2009.
 
4
Slater 1995, p. 134.
 
5
Chalfen 1987; Durrant et al. 2009; Musello 1979.
 
6
Chalfen 1987; Musello 1979.
 
7
Chalfen 1987.
 
8
Ibid; Zuromskis 2009, p. 57.
 
9
Chalfen 1987.
 
10
Zuromskis 2009, p. 53.
 
11
Barthes 2000.
 
12
Coe and Gates 1977, p. 9; Holland 2009, p. 132; Zuromskis 2009, p. 53.
 
13
Chalfen 1987; Musello 1979.
 
14
Chalfen 1987; Musello 1979.
 
15
Peres 2007, p. 130.
 
16
Batchen 1997.
 
17
See, e.g., Auer 1975; Benson 2008; Gustavson 2009; Lewis 1991; Wade 1979.
 
18
See, e.g., Bourdieu 1990; Chalfen 1987; Chambers 2003; Coe and Gates 1977; Czech 1996; Drucker et al. 2004; Goldberg 1991; Holland 2009; King 1984; Musello 1979; Van Dijck 2008.
 
19
See, e.g., Collins 1990; Jenkins 1975; Munir 2005; Olshaker 1978; Wensberg 1987.
 
20
Lehmuskallio discusses how the ‘technological logics’ driving photography and image capture in general range back centuries (Lehmuskallio 2010 (unpublished work)).
 
21
Anderson and Tushman 1990.
 
22
Christensen 1997; Utterback 1994.
 
23
Kuhn 1962.
 
24
Anderson and Tushman 1990.
 
25
Munir and Phillips 2002.
 
26
Hughes 1989, p. 57.
 
27
Anderson and Tushman 1990.
 
28
Hughes 1989.
 
29
Anderson and Tushman 1990.
 
30
Arthur 1994.
 
31
Bijker and Law 1992.
 
32
Ibid.
 
33
Hughes 1989, p. 64
 
34
Anderson and Tushman 1990, p. 616.
 
35
Shove et al. 2007.
 
36
Ibid.
 
37
Munir and Jones 2004, p. 571, referencing Latour 1987.
 
38
Latour 1987.
 
39
Anderson and Tushman 1990.
 
40
Bijker and Law 1992, p. 10.
 
41
Anderson and Tushman 1990.
 
42
Ibid.
 
43
Hughes 1989.
 
44
Anderson and Tushman 1990.
 
45
Arthur 1994.
 
46
Hughes 1989, pp. 76–77.
 
47
Ibid; MacKenzie and Wajcman 1999.
 
48
Bijker 1995, p. 7.
 
49
Ibid, p. 7.
 
50
Jenkins 1975.
 
51
Bijker and Law 1992, p. 8.
 
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Metadaten
Titel
Domestic Photography and Technological Paths
verfasst von
Dr. Risto Sarvas
Professor David M. Frohlich
Copyright-Jahr
2011
Verlag
Springer London
DOI
https://doi.org/10.1007/978-0-85729-247-6_2

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