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Erschienen in:
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2019 | OriginalPaper | Buchkapitel

16. Fifty Years of Popularity of Theresa Lee Wai-chun and Her Comic, 13-Dot Cartoon: Changing Identities of Women in Hong Kong

verfasst von : Wendy Siuyi Wong

Erschienen in: Women’s Manga in Asia and Beyond

Verlag: Springer International Publishing

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Abstract

This chapter surveys the most important girls’ comics in Hong Kong comics history, Theresa Lee Wai-chun’s Sapsaam Dim (in Cantonese Chinese), or 13-Dot Cartoon, which debuted in 1966. As a comic icon and a legendary figure, Lee and her character, Sapsaam Dim, have been the darlings of the Hong Kong mass media. By examining their appearances in print media throughout a fifty-year timespan (1966–2016), I decode the messages of changing women’s identities in Hong Kong. Through my analysis of print media materials, this survey uncovers a process of negotiating women’s identities, particularly breaking away from the stereotypical image of a homemaker, within a patriarchal society.

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Vorheriges Kapitel Chinese Women Cartoonists: A Brief, Generational Perspective
Nächstes Kapitel A Conversation with Theresa Lee, the Creator of Miss 13 Dots
Fußnoten
1
All translations from Chinese materials are the author own unless otherwise stated. For the comic title in Chinese, Sapsaam Dim, I have used the Cantonese Romanization as to reflect the major speech that is used daily in Hong Kong. This chapter is based on a lecture presented at the Women’s Manga Research Project & Hong Kong Arts Centre Joint International Symposium at the Hong Kong Comix Home Base in March 2014, and revised from an article published in the International Journal of Comic Art, Vol. 16(2): 582–596.
 
Literatur
“A low-profile comeback of Lee Wai-chun’s comics, Sapsaam Dim”. 1996. Ming Pao, July 12, Page Number Unknown.
“Announcement of winners”. 1965. Tin Tin Daily, April 4, Page Number Unknown.
“Happy Sapsaam Dim”. 2013. Apple Daily, June 4, Page Number Unknown.
“Hong Kong will be recovered”. 2003. Sing Tao Sunday Features: Sing Tao Daily, February 23, Page Number Unknown.
“Lee Wai-chun’s playhouse”. 1996. Sudden Weekly Magazine, 96–100.
“Sharing with Lee Wai-chun’s show: 13-Dot-Dot-Dot”. 2003. Ta Kung Pao, D3.
“The everlasting fashion comics: 13-Dot, 12-inch”. 2005. Playground, Vol. 136, Page Number Unknown.
Chiu, A. 2008. Sapsaam Dim: Show Time of Fashion Kingdom. Sing Tao Daily, March 12, E10.
Fung, M.N. 1980. Lee Wai-chun Is Not Sapsaam Dim. Express Daily, March 17, 10.
Fung, M.Y. 2008. Sapsaam Dim Is Not My Daughter. Apple Daily, March 12, D2.
Heyhey. 2011. Hong Kong manhau, French Travel, Infinity. Wenwei Pao, April 1, C4.
Lam, L.C. 2012. Sapsaam Dim Draws Until Golden Age. Ming Pao Sunday Workshop, November 25, 1.
Lee, K.Y. 2003. Lee Wai-chun Wants Sapsaam Dim to Be Happy. Sun News, February 20, Page Number Unknown.
Lee, T.J. 2008. Ageless Sapsaam Dim: Lee Wai-chun. East Week magazine, April 16, 62–66.
Liu, T. 1986. Interview: A Little Something About Sapsaam Dim. City Magazine, February, No. 114, Page Number Unknown.
Lui, A. 1969. Meet Thirteen Dot: She’s What All Young Girls Dream They Would Like to Be…. The China Mail, July 3, 11.
Ng, Z.P. 1979. Female Artist Lee Wai-chun. Sing Pao Daily, March 19, 9.
Qian, N., B. Xu, and Z. Tang. 2007. Shanghaihua da Cidian (Dictionary of Shanghai Dialect). Shanghai: Shanghai Lexicographical Publishing House.
Selle. 2008. Lee Wai-chun: The Most Beautiful Sapsaam Dim. Sun News, March 20, E9.
Yuen, P.Y. 2006. The Revival. Next Magazine, April 6, 84–88.
Metadaten
Titel
Fifty Years of Popularity of Theresa Lee Wai-chun and Her Comic, 13-Dot Cartoon: Changing Identities of Women in Hong Kong
verfasst von
Wendy Siuyi Wong
Copyright-Jahr
2019
Verlag
Springer International Publishing
Buch
Women’s Manga in Asia and Beyond

Print ISBN: 978-3-319-97228-2

Electronic ISBN: 978-3-319-97229-9

Copyright-Jahr: 2019

DOI
https://doi.org/10.1007/978-3-319-97229-9_16