2.1 Crowdfunding
Crowdfunding is a collaborative funding approach that enables project initiators to access funding from a large number of individual capital givers through an open call on the Internet (Mollick
2014). Crowdfunding has three stakeholders: Project initiators, who seek funding for a project; capital givers, who are willing to invest into a project; and crowdfunding platforms, serving as an infrastructure for posting and investing in crowdfunding projects (Belleflamme et al.
2014).
Crowdfunding research frequently differentiates between donation, reward, equity, and lending platforms (Hoegen et al.
2018; Bradford
2012). Donation platforms offer no material or financial rewards for capital givers that support the “social good” (e.g., Jian and Usher
2014; Sepehri et al.
2021; Gleasure and Feller
2016). By contrast, capital givers receive non-financial rewards on reward platforms that offer some sort of product pre-selling (Mollick
2014; Agrawal et al.
2015). On equity platforms, capital givers receive equity or equity-like arrangements, e.g., profit-sharing (e.g., Ahlers et al.
2015; Block et al.
2018; Vismara
2016). Lending platforms are used to loan money that is repaid with interest (Herzenstein et al.
2011; Lin et al.
2013). Lending platforms have many peculiarities, e.g., an automated assessment of credit default risk (Guo et al.
2016). Many platforms systematically cooperate with institutional investors such as banks or asset management firms that fund entire projects according to their investment strategy in an automated fashion (Milne and Parboteeah
2016). Studies indicate that 85% of consumer credits on US-based and 50% on European lending platforms are funded by such institutional investors (Milne and Parboteeah
2016; Ziegler and Shneor
2020). Because these differences contradict the goals of our study, we focus on reward, donation, and equity platforms.
2.2 Signaling Theory
Signaling theory explains situations where information asymmetries between parties exist by analyzing the signals sent by the different parties (Spence
1973). Spence (
1973) defines such signals as activities of individuals that change the beliefs of other individuals in the market. The building blocks of signaling theory comprise of the signaler, the signal, the receiver, and the signaling environment. The signaler is an information insider who possesses an information advantage regarding a product when being compared with a receiver, i.e., an information outsider that does not possess the same information (Block et al.
2018; Connelly et al.
2011). Signals are sent to reduce information asymmetries regarding the quality of a product or the signaler’s motivation and behaviors (Block et al.
2018; Connelly et al.
2011). The goal is to convince the receiver to perform a certain action, e.g., making an investment. Signals may have different characteristics such as their effectiveness, i.e., the degree to which signals may help overcome information asymmetries and fulfill the signaler’s intentions (Block et al.
2018; Connelly et al.
2011).
The signaling process is set in a signaling environment that influences the signals’ effectiveness. For instance, environmental distortion may invoke noise that undermines the signals’ effectiveness and/or signals could be interpreted differently within specific environments (Park and Patel
2015). Despite the richness of research on signaling theory, there is little research on the signaling environment as such. Various researchers call for studies that address how certain environments are impacting the signaling process or its effectiveness (Park and Patel
2015; Connelly et al.
2011).
2.3 Hedonic Signals in Crowdfunding
The decision-making of individuals is driven by a wide range of utilitarian and hedonic values. Utilitarian value can be described as mission-critical, rational, decision-effective, and goal-oriented (Zhao and Vinig
2017; Holbrook and Hirschman
1982). Utilitarian values relate to a product’s functional performance (Babin et al.
1994). By contrast, hedonic values refer to the emotional, intangible, and pleasure-related facets of such experiences (Holbrook and Hirschman
1982). Following a consumption perspective (Chan and Parhankangas
2016; Zhao and Vinig
2017), hedonic signals in crowdfunding may relate to the fun, feelings, and fantasies that it invokes (Allen and McGoun
2001; Waterman
1993; Elms
1966; Holbrook and Hirschman
1982). Fun reflects perceptions of
entertainment, i.e., the enjoyment, pleasure, or excitement that can be derived from a certain activity, such as funding a project (Waterman
1993; van der Heijden
2004). Similarly, feelings relate to
arousal that can be described as the strength of emotions created by such activities, i.e., the degree to which a project is emotionally activating (Holbrook and Hirschman
1982). Finally, fantasies shape the
imagination of using a funded product (Elms
1966). Thus, we conceptualize the strength of hedonic signals as the extent to which project descriptions signal entertainment, arousal, and imagination.
Signaling theory distinguishes between different signals such as pointing or activating signals (Connelly et al.
2011). Pointing signals indicate a characteristic that separates the signaler from its competitors, while activating signals activate these properties at the side of the receiver (Connelly et al.
2011; Steigenberger and Wilhelm
2018). Similar ideas have been formulated in crowdfunding where researchers distinguish between utilitarian vs. hedonic (Schulz et al.
2015; Chen et al.
2016), informational/rational vs. emotional (Xiang et al.
2019; Majumdar and Bose
2018; Wu et al.
2022; Steigenberger and Wilhelm
2018), or objective vs. subjective signals (Wang et al.
2021).
Crowdfunding research has extensively focused on utilitarian signals to understand funding performance (e.g., Ahlers et al.
2015; Vismara
2016; Courtney et al.
2017; Kunz et al.
2017; Scheaf et al.
2018; Block et al.
2018; Jancenelle et al.
2018). For instance, research addresses signaling characteristics of project initiators, e.g., their human (e.g., Davis et al.
2017; Vismara
2016; Vulkan et al.
2016), social (e.g., Courtney et al.
2017; Pati and Garud
2021; Kunz et al.
2017), or intellectual capital (e.g., Ahlers et al.
2015; Piva and Rossi-Lamastra
2018). Similarly, research investigates signals that are related to rewards or other project characteristics (e.g., Allison et al.
2017; Di Pietro et al.
2023; Pati and Garud
2021; Vulkan et al.
2016; Bürger and Kleinert
2021).
Research also starts to focus on hedonic signals. One research stream investigates the linguistic style of project descriptions, e.g., the effects of positive (Allison et al.
2017; Jancenelle et al.
2018; Anglin et al.
2018a; Tafesse
2021; Ren et al.
2021; Defazio et al.
2021; Kim et al.
2016; Kuo et al.
2022) and negative language (Majumdar and Bose
2018; Chen et al.
2016; Rossolini et al.
2021; Kim et al.
2016; Kuo et al.
2022), as well as related aspects such as psychological distancing (Parhankangas and Renko
2017; Sepehri et al.
2021), humanizing (Larrimore et al.
2011), or interaction (Parhankangas and Renko
2017). A second stream touches on the narratives and stories that project initiators construct in their project descriptions and pitch videos. For instance, researchers address entrepreneurial passion (Davis et al.
2017; Li et al.
2017; Oo et al.
2019), user entrepreneurship (Oo et al.
2019), personal dreams (Allison et al.
2017), or the creation of group identities (Allison et al.
2017; Palmieri et al.
2022; Mitra and Gilbert
2014). A final stream of research is concerned with media usage and related cues. Although researchers acknowledge the potential of media for eliciting emotions and hedonic value (e.g., Allison et al.
2017; Courtney et al.
2017; Mollick
2014), there is only little research that investigates the qualities of such signals. In terms of visual cues, researchers investigate the effects of the signals’ complexity (Mahmood et al. 2019), quality (Scheaf et al.
2018), and appeal (Kaminski and Hopp
2020) or focus on non-verbal cues such as the beauty and smile of project initiators (Hu and Ma
2021; Li et al.
2021). Similarly, Allison et al. (
2022) show that voice features related to positive emotions increase funding performance.
Existing research on hedonic signals frequently applies approaches of text-mining to textual project descriptions or video transcripts. Frequently, researchers employ sentiment analyses (e.g., Tafesse
2021; Ren et al.
2021; Moradi and Dass
2019; Kim et al.
2016; Jiang et al.
2020; Chen et al.
2023) or other dictionary-based text-mining approaches that relate to concepts such as positive narrative tone (Allison et al.
2017) or positive psychological capital (Anglin et al.
2018a).
1 While they focus on the emotional appeal of projects, they may lack important aspects of hedonic value such as enjoyment and imagination (Babin et al.
1994; Elms
1966). Furthermore, researchers employ simplistic and holistic operationalizations of hedonic value, that is, binary dummies (Xiang et al.
2019; Chen et al.
2016; Kuo et al.
2022; Rossolini et al.
2021). While these studies advance our understanding of hedonic signals in crowdfunding, they have produced parsimonious and conflicting results. For instance, some researchers found that positive emotional signals have a positive effect on funding performance (Chen et al.
2016; Kuo et al.
2022; Allison et al.
2017; Peng et al.
2022; Davis et al.
2017; Jiang et al.
2020), while other researchers found that there is no direct effect (Tafesse
2021; Ren et al.
2021; Moradi and Dass
2019; Kim et al.
2016; Rossolini et al.
2021; Parhankangas and Renko
2017; Chen et al.
2023) or even that funding performance is positively influenced by negative emotional signals (Moradi and Dass
2019; Kim et al.
2016; Chen et al.
2016). Hence, research might benefit from a broader conceptualization and more rigorous measurement of hedonic signals to better understand their true nature.
The signaling environment in crowdfunding is determined by the platform (Steigenberger and Wilhelm
2018; Cumming et al.
2020). Although little research has been conducted on the level of crowdfunding platforms, research indicates that platforms differ substantially (Hoegen et al.
2018; Deng et al.
2022; Dushnitsky and Fitza
2018; Cumming et al.
2020; Haas et al.
2014). They may have a specific goal and purpose (Haas et al.
2014; Xiang et al.
2019) such that project initiators may self-select to find the “best spot” for their projects (Dushnitsky and Fitza
2018). Platforms may attract specific communities of capital givers that may share distinct values (Josefy et al.
2017). Also, platforms employ different rules, services, and funding mechanisms that may alter the dynamics of the funding process (Giudici et al.
2018; Ralcheva and Roosenboom
2020; Zhou et al.
2018; Cumming et al.
2020).
Conflicting results regarding the value of hedonic signals might also be explained by different boundary conditions. In regard to the signaler, researchers have investigated whether hedonic signals are more important for specific project types including hedonic (Xiang et al.
2019; Chen et al.
2016), social (Xiang et al.
2019; Parhankangas and Renko
2017), ecological (Rossolini et al.
2021), or intangible products (Tafesse
2021). Similarly, Anglin et al. (
2018a) investigate how the project initiators’ social and human capital influences the effects of positive psychological language. When looking to receivers, research has shown that the effectiveness of hedonic signals differs across capital givers (Xiang et al.
2019; Allison et al.
2017). In regard to signals as such, research has investigated the interaction of hedonic signals with other signal types, e.g., informational signals (Steigenberger and Wilhelm
2018). However, there is limited research that investigates crowdfunding platforms as signaling environment and how such environments as a contingency may affect the effectiveness of hedonic signals (Demir et al.
2021). For instance, Cumming et al. (
2020) compare the two mechanism of Keep-it-All and All-or-Nothing.
2 They argue that All-or-Nothing-platforms are high-risk environments because a critical mass of capital givers must be reached such that project initiators have a stronger tendency to send signals that reduce the uncertainty for capital givers. Consequently, the effectiveness of signals might differ across platform types (Short and Anglin
2019). Hence, the scarcity of research on the signaling environment in signaling research is echoed by the crowdfunding community – we lack an understanding of how different types of platforms affect the effectiveness of (hedonic) signals.
There is also an empirical perspective that emphasizes the need for more research on crowdfunding platforms. Current reviews of the crowdfunding literature indicate that single platform studies are the de facto standard (Hoegen et al.
2018; Deng et al.
2022). Deng et al. (
2022) identify 94 empirical papers that investigate determinants of successful funding in crowdfunding projects: 79 papers focus on reward platforms with Kickstarter being researched 53 times; only seven papers investigate multiple platforms. Thus, crowdfunding research shares the implicit assumption that results at the project level, i.e., determinants of funding performance, are generalizable across platforms (Dushnitsky and Fitza
2018; Alveson and Sandberg
2011) and existing studies might suffer from a selection bias.
Existing studies researching multiple platforms follow three different avenues. First, authors pool data from multiple platforms of one platform type to increase sample size and robustness of their results (Josefy et al.
2017; Giudici et al.
2018; Ralcheva and Roosenboom
2020; Block et al.
2018; Huang et al.
2022). Second, authors compare the effects of project characteristics on funding performance across different platform types (Anglin et al.
2018a; Dushnitsky and Fitza
2018; Bengtson
2019; Short and Anglin
2019). Finally, authors have investigated the services of platforms as financial intermediaries (e.g., Rossi and Vismara
2018; Haas et al.
2014). In sum, this research suggests that the generalizability of results cannot be taken for granted and that we must account for differences at two levels: (1) differences across platform types (e.g., reward vs. donation platforms) as well as (2) within platform types (e.g., diverging platform characteristics of reward platforms). Thus, various researchers call for comparing multiple platforms and platform types to advance our understanding of crowdfunding (Zhou et al.
2018; Zheng et al.
2014; Dushnitsky and Fitza
2018; Gleasure and Feller
2016; Huang et al.
2022; Short and Anglin
2019; Anglin et al.
2018a).