Skip to main content

2018 | OriginalPaper | Buchkapitel

Indexicality in the Age of the Sensor and Metadata

verfasst von : Craig Hight

Erschienen in: Critical Distance in Documentary Media

Verlag: Springer International Publishing

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

The concept of indexicality has remained fundamental to documentary, helping to distinguish the genre from other audio-visual forms and providing the sense of urgency it generates as a social-political form. This chapter considers the nature and implications of indexicality at a time when video capturing capabilities have become increasingly ubiquitous, and embedded in mobile, locative, and networked devices where image and sound recording operate together with an array of other sensors. The generation of video together with metadata involves the generation of additional layers of information which carry meaning above and beyond that seen within the frame. At one level, metadata help to augment the “sense-making” capability of documentary makers, increasing the means to scale up workflows around the collation, organization, and sifting of material. At another level, it is important to recognize that metadata can take on different meanings within the automated systems which assess, categorize, and perform operations.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literatur
Zurück zum Zitat Anderson, Chris. 2008. “The End of Theory: The Data Deluge Makes the Scientific Method Obsolete.” Wired Magazine 16 (7): 16–07. Anderson, Chris. 2008. “The End of Theory: The Data Deluge Makes the Scientific Method Obsolete.” Wired Magazine 16 (7): 16–07.
Zurück zum Zitat Andrejevic, Mark, and Mark Burdon. 2015. “Defining the Sensor Society.” Television & New Media 16 (1): 19–36.CrossRef Andrejevic, Mark, and Mark Burdon. 2015. “Defining the Sensor Society.” Television & New Media 16 (1): 19–36.CrossRef
Zurück zum Zitat Aston, Judith, Sandra Gaudenzi, and Mandy Rose (eds.). 2017. i-Docs: The Evolving Practices of Interactive Documentary. New York: Columbia University Press. Aston, Judith, Sandra Gaudenzi, and Mandy Rose (eds.). 2017. i-Docs: The Evolving Practices of Interactive Documentary. New York: Columbia University Press.
Zurück zum Zitat Berry, David. 2011. The Philosophy of Software: Code and Mediation in the Digital Age. New York: Palgrave Macmillan.CrossRef Berry, David. 2011. The Philosophy of Software: Code and Mediation in the Digital Age. New York: Palgrave Macmillan.CrossRef
Zurück zum Zitat Bibart, James E. 2016. “Metadata in Digital Photography: The Need for Protection and Production of This Silent Witness.” Capital University Law Review 44 (4): 789–830. Bibart, James E. 2016. “Metadata in Digital Photography: The Need for Protection and Production of This Silent Witness.” Capital University Law Review 44 (4): 789–830.
Zurück zum Zitat Boyd, Danah, and Kate Crawford. 2011. “Six Provocations for Big Data.” In A Decade in Internet Time: Symposium on the Dynamics of the Internet and Society, vol. 21. Oxford: Oxford Internet Institute. Boyd, Danah, and Kate Crawford. 2011. “Six Provocations for Big Data.” In A Decade in Internet Time: Symposium on the Dynamics of the Internet and Society, vol. 21. Oxford: Oxford Internet Institute.
Zurück zum Zitat Corner, John. 1996. The Art of Record: A Critical Introduction to Documentary. Manchester: Manchester University Press. Corner, John. 1996. The Art of Record: A Critical Introduction to Documentary. Manchester: Manchester University Press.
Zurück zum Zitat Cruz, Edgar Gómez. 2016. “14 Photo-genic Assemblages.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 228–242. New York: Routledge. Cruz, Edgar Gómez. 2016. “14 Photo-genic Assemblages.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 228–242. New York: Routledge.
Zurück zum Zitat Cruz, Edgar Gómez, and Asko Lehmuskallio (eds.). 2016. Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. New York: Routledge. Cruz, Edgar Gómez, and Asko Lehmuskallio (eds.). 2016. Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices. New York: Routledge.
Zurück zum Zitat Dovey, Jon. 2014. “Documentary Ecosystems: Collaboration and Exploitation.” In New Documentary Ecologies: Emerging Platforms, Practices and Discourses, edited by Kate Nash, Craig Hight, and Catherine Summerhayes, 11–32. London: Palgrave Macmillan.CrossRef Dovey, Jon. 2014. “Documentary Ecosystems: Collaboration and Exploitation.” In New Documentary Ecologies: Emerging Platforms, Practices and Discourses, edited by Kate Nash, Craig Hight, and Catherine Summerhayes, 11–32. London: Palgrave Macmillan.CrossRef
Zurück zum Zitat Dovey, Jon, and Mandy Rose. 2012. “We’re Happy and We Know It: Documentary, Data, Montage.” Studies in Documentary Film 6 (2): 159–173.CrossRef Dovey, Jon, and Mandy Rose. 2012. “We’re Happy and We Know It: Documentary, Data, Montage.” Studies in Documentary Film 6 (2): 159–173.CrossRef
Zurück zum Zitat Dovey, Jon, and Mandy Rose. 2013. “‘This Great Mapping of Ourselves’—New Documentary Forms Online.” In BFI Companion to Documentary, edited by Brian Winston, 366–375. London: Palgrave Macmillan. Dovey, Jon, and Mandy Rose. 2013. “‘This Great Mapping of Ourselves’—New Documentary Forms Online.” In BFI Companion to Documentary, edited by Brian Winston, 366–375. London: Palgrave Macmillan.
Zurück zum Zitat Fuller, Matthew. 2003. Behind the Blip: Essays on the Culture of Software. New York: Autonomedia. Fuller, Matthew. 2003. Behind the Blip: Essays on the Culture of Software. New York: Autonomedia.
Zurück zum Zitat Fuller, Matthew (ed.). 2008. Software Studies: A Lexicon. Cambridge: MIT Press. Fuller, Matthew (ed.). 2008. Software Studies: A Lexicon. Cambridge: MIT Press.
Zurück zum Zitat Golder, Scott A., and Michael W. Macy. 2014. “Digital Footprints: Opportunities and Challenges for Online Social Research.” Annual Review of Sociology 40: 129–152.CrossRef Golder, Scott A., and Michael W. Macy. 2014. “Digital Footprints: Opportunities and Challenges for Online Social Research.” Annual Review of Sociology 40: 129–152.CrossRef
Zurück zum Zitat Gye, Lisa. 2007. “Picture This: The Impact of Mobile Camera Phones on Personal Photographic Practices.” Continuum. 21 (2): 279–288.CrossRef Gye, Lisa. 2007. “Picture This: The Impact of Mobile Camera Phones on Personal Photographic Practices.” Continuum. 21 (2): 279–288.CrossRef
Zurück zum Zitat Hand, Martin. 2012. Ubiquitous Photography. Cambridge: Polity. Hand, Martin. 2012. Ubiquitous Photography. Cambridge: Polity.
Zurück zum Zitat Hermida, Alfred. 2014. “Filtering Fact from Fiction.” In Ethics for Digital Journalists: Emerging Best Practices, edited by Lawrie Zion and David Craig, 59–73. New York: Routledge. Hermida, Alfred. 2014. “Filtering Fact from Fiction.” In Ethics for Digital Journalists: Emerging Best Practices, edited by Lawrie Zion and David Craig, 59–73. New York: Routledge.
Zurück zum Zitat Hight, Craig. 2008. “The Field of Digital Documentary: A Challenge to Documentary Theorists.” Studies in Documentary Film 2 (1): 3–7.CrossRef Hight, Craig. 2008. “The Field of Digital Documentary: A Challenge to Documentary Theorists.” Studies in Documentary Film 2 (1): 3–7.CrossRef
Zurück zum Zitat Hight, Craig. 2014. “Automation Within Digital Videography: From the Ken Burns Effect to ‘Meaning-Making’ Engines.” Studies in Documentary Film 8 (3): 235–250.CrossRef Hight, Craig. 2014. “Automation Within Digital Videography: From the Ken Burns Effect to ‘Meaning-Making’ Engines.” Studies in Documentary Film 8 (3): 235–250.CrossRef
Zurück zum Zitat Hight, Craig. 2017a. “The Challenges of Using YouTube as a Data Resource.” In Studying Digital Media Audiences: Perspectives from Australasia, edited by Craig Hight and Ramaswami Harindranath, 98–115. Oxford: Routledge.CrossRef Hight, Craig. 2017a. “The Challenges of Using YouTube as a Data Resource.” In Studying Digital Media Audiences: Perspectives from Australasia, edited by Craig Hight and Ramaswami Harindranath, 98–115. Oxford: Routledge.CrossRef
Zurück zum Zitat Hight, Craig. 2017b. “Software as Co-creator in Interactive Documentary.” In i-Docs: The Evolving Practices of Interactive Documentary, edited by Judith Aston, Sandra Gaudenzi, and Mandy Rose, 82–96. New York: Columbia University Press.CrossRef Hight, Craig. 2017b. “Software as Co-creator in Interactive Documentary.” In i-Docs: The Evolving Practices of Interactive Documentary, edited by Judith Aston, Sandra Gaudenzi, and Mandy Rose, 82–96. New York: Columbia University Press.CrossRef
Zurück zum Zitat Hjorth, Larissa, and Sarah Pink. 2014. “New Visualities and the Digital Wayfarer: Reconceptualizing Camera Phone Photography and Locative Media.” Mobile Media & Communication 2 (1): 40–57.CrossRef Hjorth, Larissa, and Sarah Pink. 2014. “New Visualities and the Digital Wayfarer: Reconceptualizing Camera Phone Photography and Locative Media.” Mobile Media & Communication 2 (1): 40–57.CrossRef
Zurück zum Zitat Hoelzl, Ingrid, and Rémi Marie. 2015. Softimage: Towards a New Theory of the Digital Image. Bristol: Intellect Books. Hoelzl, Ingrid, and Rémi Marie. 2015. Softimage: Towards a New Theory of the Digital Image. Bristol: Intellect Books.
Zurück zum Zitat Jenkins, Reese V. 1975. “Technology and the Market: George Eastman and the Origins of Mass Amateur Photography.” Technology and Culture 16 (1): 1.CrossRef Jenkins, Reese V. 1975. “Technology and the Market: George Eastman and the Origins of Mass Amateur Photography.” Technology and Culture 16 (1): 1.CrossRef
Zurück zum Zitat Johnson, Steven. 1997. Interface Culture—How New Technology Changes the Way We Create and Communicate. New York: Basic Books. Johnson, Steven. 1997. Interface Culture—How New Technology Changes the Way We Create and Communicate. New York: Basic Books.
Zurück zum Zitat Khoo, Elaine, Craig Hight, Rob Torrens, and Bronwen Cowie. 2017. “A Genealogy of Software Applications.” In Software Literacy, 15–29. Singapore: Springer.CrossRef Khoo, Elaine, Craig Hight, Rob Torrens, and Bronwen Cowie. 2017. “A Genealogy of Software Applications.” In Software Literacy, 15–29. Singapore: Springer.CrossRef
Zurück zum Zitat Kitchin, Rob. 2014. The Data Revolution: Big Data, Open Data, Data Infrastructures and Their Consequences. London: Sage. Kitchin, Rob. 2014. The Data Revolution: Big Data, Open Data, Data Infrastructures and Their Consequences. London: Sage.
Zurück zum Zitat Kitchin, Rob, and Martin Dodge. 2011. Code/Space: Software and Everyday Life. Cambridge: The MIT Press.CrossRef Kitchin, Rob, and Martin Dodge. 2011. Code/Space: Software and Everyday Life. Cambridge: The MIT Press.CrossRef
Zurück zum Zitat Lehmuskallio, Asko. 2016. “The Camera as a Sensor.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 243–266. New York: Routledge. Lehmuskallio, Asko. 2016. “The Camera as a Sensor.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 243–266. New York: Routledge.
Zurück zum Zitat Lister, Martin. 2013. The Photographic Image in Digital Culture. London: Routledge. Lister, Martin. 2013. The Photographic Image in Digital Culture. London: Routledge.
Zurück zum Zitat Mackenzie, Adrian. 2006. Cutting Code: Software and Sociality. New York: Peter Lang. Mackenzie, Adrian. 2006. Cutting Code: Software and Sociality. New York: Peter Lang.
Zurück zum Zitat Männistö, Anssi. 2016. “The Boston Marathon Bombing Investigation as an Example of Networked Journalism and the Power of Big Data Analytics.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 86–97. New York: Routledge. Männistö, Anssi. 2016. “The Boston Marathon Bombing Investigation as an Example of Networked Journalism and the Power of Big Data Analytics.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 86–97. New York: Routledge.
Zurück zum Zitat Manovich, Lev. 2013. Software Takes Command. New York: Bloomsbury. Manovich, Lev. 2013. Software Takes Command. New York: Bloomsbury.
Zurück zum Zitat McGrenere, Joanna, and Wayne Ho. 2000. “Affordances: Clarifying and Evolving a Concept.” In Proceedings of Graphics Interface 2000, 179–186, Montreal, Canada. McGrenere, Joanna, and Wayne Ho. 2000. “Affordances: Clarifying and Evolving a Concept.” In Proceedings of Graphics Interface 2000, 179–186, Montreal, Canada.
Zurück zum Zitat Mitchell, William J. 1992. The Reconfigured Eye: Visual Truth in the Photographic Era. Cambridge: MIT Press. Mitchell, William J. 1992. The Reconfigured Eye: Visual Truth in the Photographic Era. Cambridge: MIT Press.
Zurück zum Zitat Munir, Kamal A., and Nelson Phillips. 2005. “The Birth of the ‘Kodak Moment’: Institutional Entrepreneurship and the Adoption of New Technologies.” Organization Studies 26 (11): 1665–1687.CrossRef Munir, Kamal A., and Nelson Phillips. 2005. “The Birth of the ‘Kodak Moment’: Institutional Entrepreneurship and the Adoption of New Technologies.” Organization Studies 26 (11): 1665–1687.CrossRef
Zurück zum Zitat Murray, Susan. 2008. “Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics.” Journal of Visual Culture 7 (2): 147–163.CrossRef Murray, Susan. 2008. “Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics.” Journal of Visual Culture 7 (2): 147–163.CrossRef
Zurück zum Zitat Nash, Kate, Craig Hight, and Catherine Summerhayes, eds. 2014. New Documentary Ecologies: Emerging Platforms, Practices and Discourses. London: Palgrave Macmillan. Nash, Kate, Craig Hight, and Catherine Summerhayes, eds. 2014. New Documentary Ecologies: Emerging Platforms, Practices and Discourses. London: Palgrave Macmillan.
Zurück zum Zitat Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press. Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press.
Zurück zum Zitat Nichols, Bill. 2017. Introduction to Documentary. Bloomington: Indiana University Press.CrossRef Nichols, Bill. 2017. Introduction to Documentary. Bloomington: Indiana University Press.CrossRef
Zurück zum Zitat Pink, Sarah. 2016. “Photographic Places and Digital Wayfaring.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 186–190. New York: Routledge. Pink, Sarah. 2016. “Photographic Places and Digital Wayfaring.” In Digital Photography and Everyday Life: Empirical Studies on Material Visual Practices, edited by Edgar Gómez Cruz and Asko Lehmuskallio, 186–190. New York: Routledge.
Zurück zum Zitat Pink, Sarah, and Vaike Fors. 2017. “Self-Tracking and Mobile Media: New Digital Materialities.” Mobile Media & Communication. 5 (3): 219–238.CrossRef Pink, Sarah, and Vaike Fors. 2017. “Self-Tracking and Mobile Media: New Digital Materialities.” Mobile Media & Communication. 5 (3): 219–238.CrossRef
Zurück zum Zitat Pomerantz, Jeffrey. 2015. Metadata. Cambridge: MIT Press. Pomerantz, Jeffrey. 2015. Metadata. Cambridge: MIT Press.
Zurück zum Zitat Renov, Michael. 2004. The Subject of Documentary. Minneapolis: University of Minnesota Press. Renov, Michael. 2004. The Subject of Documentary. Minneapolis: University of Minnesota Press.
Zurück zum Zitat Rubinstein, Daniel, and Katrina Sluis. 2008. “A Life More Photographic: Mapping the Networked Image.” Photographies 1 (1): 9–28.CrossRef Rubinstein, Daniel, and Katrina Sluis. 2008. “A Life More Photographic: Mapping the Networked Image.” Photographies 1 (1): 9–28.CrossRef
Zurück zum Zitat Rubinstein, Daniel, and Katrina Sluis. 2013a. “Concerning the Undecidability of the Digital Image.” Photographies 6 (1): 151–158.CrossRef Rubinstein, Daniel, and Katrina Sluis. 2013a. “Concerning the Undecidability of the Digital Image.” Photographies 6 (1): 151–158.CrossRef
Zurück zum Zitat Rubinstein, Daniel, and Katrina Sluis. 2013b. “The Digital Image in Photographic Culture.” In The Photographic Image in Digital Culture, edited by Martin Lister, 22–40. London: Routledge. Rubinstein, Daniel, and Katrina Sluis. 2013b. “The Digital Image in Photographic Culture.” In The Photographic Image in Digital Culture, edited by Martin Lister, 22–40. London: Routledge.
Zurück zum Zitat Smith, Marquard. 2013. “Theses on the Philosophy of History: The Work of Research in the Age of Digital Searchability and Distributability.” Journal of Visual Culture 12 (3): 375–403.CrossRef Smith, Marquard. 2013. “Theses on the Philosophy of History: The Work of Research in the Age of Digital Searchability and Distributability.” Journal of Visual Culture 12 (3): 375–403.CrossRef
Zurück zum Zitat Sobchack, Vivian. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press. Sobchack, Vivian. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press.
Zurück zum Zitat Steen-Johnsen, Kari, and Bernard Enjolras. 2015. “Social Research and Big Data—The Tension Between Opportunities and Realities.” In Internet Research Ethics, edited by Hallvard Fossheim and Helene Ingierd, 122–140. Oslo: Cappelen Damm Akademisk. Steen-Johnsen, Kari, and Bernard Enjolras. 2015. “Social Research and Big Data—The Tension Between Opportunities and Realities.” In Internet Research Ethics, edited by Hallvard Fossheim and Helene Ingierd, 122–140. Oslo: Cappelen Damm Akademisk.
Zurück zum Zitat Van Dijck, José. 2014. “Datafication, Dataism and Dataveillance: Big Data Between Scientific Paradigm and Ideology.” Surveillance & Society 12 (2): 197–208.CrossRef Van Dijck, José. 2014. “Datafication, Dataism and Dataveillance: Big Data Between Scientific Paradigm and Ideology.” Surveillance & Society 12 (2): 197–208.CrossRef
Zurück zum Zitat Winston, Brian. 2008. Claiming the Real II: Documentary: Grierson and Beyond. London: BFI. Winston, Brian. 2008. Claiming the Real II: Documentary: Grierson and Beyond. London: BFI.
Metadaten
Titel
Indexicality in the Age of the Sensor and Metadata
verfasst von
Craig Hight
Copyright-Jahr
2018
DOI
https://doi.org/10.1007/978-3-319-96767-7_2