2011 | OriginalPaper | Buchkapitel
Introduction: Is the Past a Foreign Country?
verfasst von : Ewa Mazierska
Erschienen in: European Cinema and Intertextuality
Verlag: Palgrave Macmillan UK
Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.
Wählen Sie Textabschnitte aus um mit Künstlicher Intelligenz passenden Patente zu finden. powered by
Markieren Sie Textabschnitte, um KI-gestützt weitere passende Inhalte zu finden. powered by
Cinema is part of history, namely a discourse on the past. But what is the past? ‘The past is a foreign country’, is an answer which immediately appears in my head. These words, opening L. P. Hartley’s novel, The Go-Between (Hartley 1953: 9), were repeated or paraphrased by so many historians (see, for example, Lowenthal 1985, 2007; Judt 1992; Hobsbawm 1997; Fuchs and Cosgrove 2006) that they became a cliché. And yet, they require scrutiny, because they are ambiguous and therefore their meanings divide contemporary historians. Explaining their meanings will also allow me to locate my book within a number of debates concerning the status of history and its relation to cinema.