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Erschienen in:
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2018 | OriginalPaper | Buchkapitel

1. Introduction

verfasst von : Sarah Whatley, Rosamaria K. Cisneros, Amalia Sabiescu

Erschienen in: Digital Echoes

Verlag: Springer International Publishing

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Abstract

This volume provides a compendium of emerging cases and practices, as well as critical, historical and theoretical essays that explore the interplay between performing arts, intangible cultural heritage (ICH) and digital environments. The volume features sixteen essays that treat four themes, focused respectively on critical and reflexive engagements; digital interventions in time and space; documentation and preservation; and authorship, ownership and legal aspects. The chapters engage with varied forms of ICH, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographies and cultural settings, from Europe to Asia and the Americas. This enables a broad perspective to reflect on the implications of digital interventions on ICH engagements and how these are contextualized in diverse localities.

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Literatur
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Zurück zum Zitat Bleeker, Maaike, ed. 2016. Transmission in Motion: The Technologizing of Dance. London: Routledge. Bleeker, Maaike, ed. 2016. Transmission in Motion: The Technologizing of Dance. London: Routledge.
Zurück zum Zitat Causey, Matthew. 2007. Theatre and Performance in Digital Culture: From Simulation to Embeddedness. Oxon: Routledge. Causey, Matthew. 2007. Theatre and Performance in Digital Culture: From Simulation to Embeddedness. Oxon: Routledge.
Zurück zum Zitat Causey, Matthew, Emma Meehan, and O’Dwyer Néill, eds. 2015. The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real. Palgrave Studies in Performance and Technology. Basingstoke: Palgrave Macmillan. Causey, Matthew, Emma Meehan, and O’Dwyer Néill, eds. 2015. The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real. Palgrave Studies in Performance and Technology. Basingstoke: Palgrave Macmillan.
Zurück zum Zitat Dixon, Steve. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance, and Installation. Cambridge, MA: MIT Press. Dixon, Steve. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance, and Installation. Cambridge, MA: MIT Press.
Zurück zum Zitat Phelan, Peggy. 2003. Unmarked: The Politics of Performance. Oxon: Routledge. Phelan, Peggy. 2003. Unmarked: The Politics of Performance. Oxon: Routledge.
Zurück zum Zitat Pitches, Jonathan, and Sita Popat. 2011. Performance Perspectives: A Critical Introduction. Basingstoke: Palgrave Macmillan. Pitches, Jonathan, and Sita Popat. 2011. Performance Perspectives: A Critical Introduction. Basingstoke: Palgrave Macmillan.
Zurück zum Zitat Popat, Sita. 2006. Invisible Connections: Dance, Choreography and Internet Communities. Oxon: Routledge. Popat, Sita. 2006. Invisible Connections: Dance, Choreography and Internet Communities. Oxon: Routledge.
Zurück zum Zitat Popat, Sita, and Nicolas Salazar Sutil, eds. 2015. Digital Movement: Essays in Motion Technology and Performance. Basingstoke: Palgrave Macmillan. Popat, Sita, and Nicolas Salazar Sutil, eds. 2015. Digital Movement: Essays in Motion Technology and Performance. Basingstoke: Palgrave Macmillan.
Metadaten
Titel
Introduction
verfasst von
Sarah Whatley
Rosamaria K. Cisneros
Amalia Sabiescu
Copyright-Jahr
2018
DOI
https://doi.org/10.1007/978-3-319-73817-8_1