nach oben

Erschienen in:

2017 | OriginalPaper | Buchkapitel

13. O Som Ao Redor: Aural Space, Surveillance, and Class Struggle

verfasst von : Patricia Sequeira Brás

Erschienen in: Space and Subjectivity in Contemporary Brazilian Cinema

Verlag: Springer International Publishing

Einloggen

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config

KI-gestützte Suche

Aus

Abstract

This chapter offers a different perspective on class conflict through the analysis of the articulation of sound and framing in O som ao redor/Neighboring Sounds, (Kleber Mendonça Filho, 2012). It investigates the film’s aural space as an element that conveys fear and paranoia, while also revealing class antagonism. The chapter contends that sound can suspend the narrative and deterritorialize the image, thus shifting the viewer’s attention to the off-screen, which often suggest an invisible but present violence. This is emphasized by the use of surveillance cameras, which give only a false sense of security to the neighborhood. The chapter concludes that the strategies used to create this atmosphere herald social conflict

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

über 102.000 Bücher
über 537 Zeitschriften

aus folgenden Fachgebieten:

Automobil + Motoren
Bauwesen + Immobilien
Business IT + Informatik
Elektrotechnik + Elektronik
Energie + Nachhaltigkeit
Finance + Banking
Management + Führung
Marketing + Vertrieb
Maschinenbau + Werkstoffe
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

über 67.000 Bücher
über 340 Zeitschriften

aus folgenden Fachgebieten:

Bauwesen + Immobilien
Business IT + Informatik
Finance + Banking
Management + Führung
Marketing + Vertrieb
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Vorheriges Kapitel ‘Casa Grande & Senzala’: Domestic Space and Class Conflict in Casa Grande and Que Horas Ela Volta?

Attali, Jacques. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press, 1985. Print.

Deleuze, Gilles. “Postcript on the Societies of Control.” October 59 (1992): 3–7. JSTOR. Web. 01 April 2016.

Deleuze, Gilles and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. New York, London: Continuum, 2004. Print.

Foucault, Michel. “Panopticism.” Discipline & Punishment The Birth of the Prison. Vintage Books, 1995. 195–228. Print.

Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, Massachusetts and London: MIT Press, 2010. Print.

Ledwith, Mario. “‘Sonic Cannons’ Emitting Pain-inducing Noise to Be Used During Olympics to Keep Crowds under Control.” Daily Mail 12 May 2012, Web. 10 April 2016.

McCullough. “Noise Offenders Forced to Listen to Barry Manilow, Dolly Parton and Barney the Dinosaur.” Dvorak Uncensored 24 Nov. 2008, Web. 10 April 2016.

Nagib, Lúcia. “Reframing Utopia: Contemporary Brazilian Cinema at the Turn of the Century.” Portuguese Cultural Studies 0.1 (2006): 25–35. Web.

Ribeiro, Carlos Eduardo and Guilherme da Rosa. “A representação das classes sociais em O som ao redor.” Academia.edu (2014): 1–32. Web. 05 April 2016.

Stafford Smith, Clive. “Welcome to ‘the Disco’.” The Guardian 19 June 2008, Web. 10 April 2016.

Titel: O Som Ao Redor: Aural Space, Surveillance, and Class Struggle
verfasst von: Patricia Sequeira Brás
Verlag: Springer International Publishing
Buch: Space and Subjectivity in Contemporary Brazilian Cinema
Print ISBN: 978-3-319-48266-8

Electronic ISBN: 978-3-319-48267-5

Copyright-Jahr: 2017
DOI: https://doi.org/10.1007/978-3-319-48267-5_13