Skip to main content

2016 | OriginalPaper | Buchkapitel

6. Programming Perceptions: Film Festivals and the Construction of Taste

verfasst von : Kirsten Stevens

Erschienen in: Australian Film Festivals

Verlag: Palgrave Macmillan US

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

Considering several recent advertising campaigns employed by the Melbourne International Film Festival, this chapter examines the emphasis festival marketing strategies place on the role of taste within film festival programmes. Drawing on the imagery and lexicon of festival promotional material, the chapter interrogates the construction of festivals as ‘good taste’ and ‘cultured’ events. It considers the value attached to festival screenings and their role in constructing categories such as ‘quality’ and ‘world’ cinema to examine how notions of taste and worth are produced by event programmes. The chapter explores how the privileged position of festivals as cultural events not only determines their place within local environments, but further constructs their audience and the ways in which they are understood.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Literatur
Zurück zum Zitat Bazin, André. 1955. The Festival Viewed as a Religious Order. Cahiers du Cinéma. Translated by Emilie Bickerton. Reprinted 2009 in Dekalog3: On Film Festivals, ed. Richard Porton, 13–19. London: Wallflower. Bazin, André. 1955. The Festival Viewed as a Religious Order. Cahiers du Cinéma. Translated by Emilie Bickerton. Reprinted 2009 in Dekalog3: On Film Festivals, ed. Richard Porton, 13–19. London: Wallflower.
Zurück zum Zitat Boehringer, Kathe, and Stephen Crofts. 1980. The Triumph of Taste. The Australian Journal of Screen Theory. 8: 69–79. Boehringer, Kathe, and Stephen Crofts. 1980. The Triumph of Taste. The Australian Journal of Screen Theory. 8: 69–79.
Zurück zum Zitat Bourdieu, Pierre. 1979. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. London: Routledge. 1992 Bourdieu, Pierre. 1979. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. London: Routledge. 1992
Zurück zum Zitat ———. 1993. The Production of Belief: Contribution to an Economy of Symbolic Goods. The Field of Cultural Production. Reprinted 2004 in The City Cultures Reader, eds. Malcom Miles, Tim Hall, and Iain Borden, 103–109. New York: Routledge. ———. 1993. The Production of Belief: Contribution to an Economy of Symbolic Goods. The Field of Cultural Production. Reprinted 2004 in The City Cultures Reader, eds. Malcom Miles, Tim Hall, and Iain Borden, 103–109. New York: Routledge.
Zurück zum Zitat ———. 2015b. Personal Communication (Audio Interview). Melbourne. 27 August. ———. 2015b. Personal Communication (Audio Interview). Melbourne. 27 August.
Zurück zum Zitat Corrigan, Timothy. 1991. A Cinema Without Walls: Movies and Culture after Vietnam. New Brunswick, NJ: Rutgers UP. Corrigan, Timothy. 1991. A Cinema Without Walls: Movies and Culture after Vietnam. New Brunswick, NJ: Rutgers UP.
Zurück zum Zitat Czach, Liz. 2004. Film Festivals, Programming and the Building of a National Cinema. The Moving Image 4(1): 76–78. Czach, Liz. 2004. Film Festivals, Programming and the Building of a National Cinema. The Moving Image 4(1): 76–78.
Zurück zum Zitat ———. 2010. Cinephilia, Stars, and Film Festivals. Cinema Journal 49(2): 139–145.CrossRef ———. 2010. Cinephilia, Stars, and Film Festivals. Cinema Journal 49(2): 139–145.CrossRef
Zurück zum Zitat Dayan, Daniel. 2000. Looking for Sundance: The Social Construction of a Film Festival. In Moving Images, Culture and the Mind, ed. I. Bondebjerg, 43–52. Luton: U of Luton P. Dayan, Daniel. 2000. Looking for Sundance: The Social Construction of a Film Festival. In Moving Images, Culture and the Mind, ed. I. Bondebjerg, 43–52. Luton: U of Luton P.
Zurück zum Zitat de Valck, Marijke. 2005. Drowning in Popcorn at the International Film Festival Rotterdam? The Festival as a Multiplex of Cinephilia. In Cinephilia: Movies, Love and Memory, eds. Marijke de Valck and Malte Hagener, 97–109. Amsterdam: Amsterdam UP. de Valck, Marijke. 2005. Drowning in Popcorn at the International Film Festival Rotterdam? The Festival as a Multiplex of Cinephilia. In Cinephilia: Movies, Love and Memory, eds. Marijke de Valck and Malte Hagener, 97–109. Amsterdam: Amsterdam UP.
Zurück zum Zitat ———. 2007. Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam UP.CrossRef ———. 2007. Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam UP.CrossRef
Zurück zum Zitat ———. 2010. Reflections on the Recent Cinephilia Debates. Cinema Journal 49(2): 132–139.CrossRef ———. 2010. Reflections on the Recent Cinephilia Debates. Cinema Journal 49(2): 132–139.CrossRef
Zurück zum Zitat de Valck, Marijke, and Malte Hagener. 2005. Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures. In Cinephilia: Movies, Love and Memory, eds. Marijke de Valck and Malte Hagener, 11–24. Amsterdam: Amsterdam UP. de Valck, Marijke, and Malte Hagener. 2005. Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures. In Cinephilia: Movies, Love and Memory, eds. Marijke de Valck and Malte Hagener, 11–24. Amsterdam: Amsterdam UP.
Zurück zum Zitat Elsaesser, Thomas. 2005. Film Festival Networks: The New Topographies of Cinema in Europe. In European Cinema: Face to Face with Hollywood, 82–107. Amsterdam: Amsterdam UP. Elsaesser, Thomas. 2005. Film Festival Networks: The New Topographies of Cinema in Europe. In European Cinema: Face to Face with Hollywood, 82–107. Amsterdam: Amsterdam UP.
Zurück zum Zitat MacAloon, John. 1984. Olympic Games and the Theory of Spectacle. In Rite, Drama, Festival, Spectacle: Rehearsals Toward a Theory of Cultural Performance, ed. John MacAloon, 241–280. Philadelphia: Institute for the Study of Human Issues. MacAloon, John. 1984. Olympic Games and the Theory of Spectacle. In Rite, Drama, Festival, Spectacle: Rehearsals Toward a Theory of Cultural Performance, ed. John MacAloon, 241–280. Philadelphia: Institute for the Study of Human Issues.
Zurück zum Zitat MIFF (Melbourne International Film Festival). 2008. Melbourne International Film Festival [program]. Melbourne: Filmfest Ltd. MIFF (Melbourne International Film Festival). 2008. Melbourne International Film Festival [program]. Melbourne: Filmfest Ltd.
Zurück zum Zitat Nichols, Bill. 1994. Discovering Form, Inferring Meaning: New Cinema and the Film Festival Circuit. Film Quarterly 47(3): 16–30.CrossRef Nichols, Bill. 1994. Discovering Form, Inferring Meaning: New Cinema and the Film Festival Circuit. Film Quarterly 47(3): 16–30.CrossRef
Zurück zum Zitat Quintín. 2005. An Anorexic’s Case Against Uchida Tomo. Cinema Scope 22(Spring): 48. Quintín. 2005. An Anorexic’s Case Against Uchida Tomo. Cinema Scope 22(Spring): 48.
Zurück zum Zitat Schulte-Strathaus, Stephanie. 2004. Showing Different Films Differently: Cinema as a Result of Cinematic Thinking. The Moving Image 4(1): 1–16. Schulte-Strathaus, Stephanie. 2004. Showing Different Films Differently: Cinema as a Result of Cinematic Thinking. The Moving Image 4(1): 1–16.
Zurück zum Zitat ———. 2010. Film Festivals. In European Arts Festivals: Cultural Pragmatics and Discursive Identity Frames: Deliverable 3.1 WP3 Main Report, ed. Liana Giorgi, 150–221. Report completed in framework of EURO-FESTIVAL project. July. Accessed March 29, 2011. http://www.euro-festival.org/publications.html ———. 2010. Film Festivals. In European Arts Festivals: Cultural Pragmatics and Discursive Identity Frames: Deliverable 3.1 WP3 Main Report, ed. Liana Giorgi, 150–221. Report completed in framework of EURO-FESTIVAL project. July. Accessed March 29, 2011. http://www.euro-festival.org/publications.html
Zurück zum Zitat Staiger, Janet. 1985. The Politics of Film Canons. Cinema Journal 24(3): 4–23.CrossRef Staiger, Janet. 1985. The Politics of Film Canons. Cinema Journal 24(3): 4–23.CrossRef
Zurück zum Zitat Vivarelli, Nick. 2006. Preem Theme Makes Lido Dream Come True. Variety 404(2): A5. Vivarelli, Nick. 2006. Preem Theme Makes Lido Dream Come True. Variety 404(2): A5.
Zurück zum Zitat ———. 2011. Venom Over Venice: Lido Leadership at Stake in Power Play. Daily Variety 313(54): 18. ———. 2011. Venom Over Venice: Lido Leadership at Stake in Power Play. Daily Variety 313(54): 18.
Metadaten
Titel
Programming Perceptions: Film Festivals and the Construction of Taste
verfasst von
Kirsten Stevens
Copyright-Jahr
2016
DOI
https://doi.org/10.1057/978-1-137-58130-3_6