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Erschienen in:
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2021 | OriginalPaper | Buchkapitel

6. Race and Migration in Fiction, on Stage and Film: G.B. Stern

verfasst von : Alexis Weedon

Erschienen in: The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation

Verlag: Springer International Publishing

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Abstract

This chapter covers Gladys Bronwyn Stern’s exploration of identity and nationality in World War 1, her screen writing in Hollywood in the thirties and then her film work in Britain in World War 2. In her family saga, The Rakonwitz Chronicles Stern weaves a semi-autobiographical story of her Austrian and German parentage and her large Jewish family whose fortunes were lost in the Vaal river diamond crash. Her humour and pierrotism slipped into the dialogue of the adaptations of Little Women (1933) and Last Days of Pompeii (1934) as she worked for RKO. In the forties she had a contract with MGM and wrote a screenplay about R.L. Stevenson.

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Vorheriges Kapitel Novelist as a Pierrot: G.B. Stern on Women and Role-Playing Identity
Nächstes Kapitel Live Radio and Film Dialogue: Hugh Walpole’s Creation of Fictional Friends
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Metadaten
Titel
Race and Migration in Fiction, on Stage and Film: G.B. Stern
verfasst von
Alexis Weedon
Copyright-Jahr
2021
Buch
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation

Print ISBN: 978-3-030-72475-7

Electronic ISBN: 978-3-030-72476-4

Copyright-Jahr: 2021

DOI
https://doi.org/10.1007/978-3-030-72476-4_6