Skip to main content
Fachgebiete
Automobil + Motoren Bauwesen + Immobilien Business IT + Informatik Elektrotechnik + Elektronik Energie + Nachhaltigkeit Finance + Banking Management + Führung Marketing + Vertrieb Maschinenbau + Werkstoffe Versicherung + Risiko
DE
EN
Bücher
Zeitschriften
Themenseiten
Organisationspsychologie Projektmanagement Marketing Smart Manufacturing
Weitere Formate
Podcasts Webinare Technik Webinare Wirtschaft Kongresse Veranstaltungskalender Awards
Jetzt Einzelzugang starten
Zugang für Unternehmen
Referenzkunden
SLX-Digitalkonferenz: Zukunftswerkstatt 2024

Mehr Umsatz mit Top-Kontakten

Am 7. Mai erfahren Sie, wie Vertriebsteams Leadgenerierung, Leadnurturing und Leadstrategien effizient steuern können.
Erweiterte Suche
Anmelden
nach oben
Erschienen in:
Introduction Kapitel lesen Erstes Kapitel lesen

2021 | OriginalPaper | Buchkapitel

2. Storytellers and the Participatory Audience

verfasst von : Alexis Weedon

Erschienen in: The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation

Verlag: Springer International Publishing

Einloggen

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config
loading …

Abstract

This chapter outlines four routes to understanding the way authors navigated the social and commercial power flows of their changing profession. Firstly how the economic drivers for writers made certain lines of work attractive. Secondly how authors became bricoleurs, transforming an aesthetic form into a pragmatic writing process. Thirdly how authors positioned themselves as fans, and interpolated themselves into their readership. Finally how these authors viewed their fiction as part of a ‘geneological tree’ through which stories descend. These four routes enable us to place the legacy of these authors—Clemence Dane, Hugh Walpole, G.B. Stern and A.E.W. Mason—in contemporary media practices.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

  • über 102.000 Bücher
  • über 537 Zeitschriften

aus folgenden Fachgebieten:

  • Automobil + Motoren
  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Elektrotechnik + Elektronik
  • Energie + Nachhaltigkeit
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Maschinenbau + Werkstoffe
  • Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Springer Professional "Wirtschaft"

Online-Abonnement

Mit Springer Professional "Wirtschaft" erhalten Sie Zugriff auf:

  • über 67.000 Bücher
  • über 340 Zeitschriften

aus folgenden Fachgebieten:

  • Bauwesen + Immobilien
  • Business IT + Informatik
  • Finance + Banking
  • Management + Führung
  • Marketing + Vertrieb
  • Versicherung + Risiko




Jetzt Wissensvorsprung sichern!

Jetzt informieren
Vorheriges Kapitel Introduction
Nächstes Kapitel Writing Across Media: the Techniques of Clemence Dane
Literatur
Anonymous. 1935. New York Herald Tribune. In Hugh Walpole Scrapbook of Newspaper Cuttings: Sir Hugh Walpole collection of papers. The Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, Astor, Lenox and Tilden Foundations.
Brannagh, Kenneth. 2019. All Is True. London, UK: The Troubled Man Production Company.
Cameron, Rebecca. 2008. The Limits of Emancipation: Changing Approaches to Feminism in Early-twentieth-century British Women’s Drama. Women’s Studies 37: 110–130.CrossRef
Croall, Jonathan. 2008. Sybil Thorndike: A Star of Life. London: Haus Books.
Crosthwaite, Peter. 2019. The Market Logics of Contemporary Fiction. Cambridge: Cambridge University Press.CrossRef
Dane, Clemence. 1931. Broome Stages. London: Heinemann.
Fiske, John. 1992. The Cultural Economy of Fandom. In The Adoring Audience: Fan Culture and Popular Media, ed. Lisa A Lewis. London: Routledge.
Flaherty, Jennifer. 2014. Dreamers and Insomniacs: Audiences in “Sleep No More” and “The Night Circus”. Special Issue: the Audience as Player: Interactive Theater Over the Years, Comparative Drama 48 (1/2): 135–154.
G.H. 1928. Review of Benn Levy’s Play The Man with Red Hair. Brooklyn Daily Eagle, 29 November.
Gannett, Lewis. 1932. Books and Things. New York Tribune, 22 December.
Gledhill, Christine. 2004. Reframing British Cinema, 1918–1928: Between Restraint and Passion. London: BFI Publishing.
Jarrold, Julian. 2007. Becoming Jane UK, Ireland: HanWay Films, UK Film Council, Bórd Scannán na hÉireann, Ecosse Films.
Mason, A.E.W. 1936. Story-Telling. In (Mason, AEW) Works: Harry Ransom Center, University of Texas at Austin.
Morley, Royston. 1957. The Man with Red Hair. In Hour of Mystery TV series, UK.
Parton, Lemuel F. 1935. Who’s News Today: Thirty Years Later He Had Learned to Make It. New York Sun, 8 August.
Ryan, Marie-Laure. 2015. Narrative as Virtual Reality 2: Revisiting Immersion and Interactivity in Literature and Electronic Media. Baltimore, MD: Johns Hopkins University Press.
Siouzouli, Natascha. 2014. Precarious Presence in Contemporary Theater. Comparative Drama 48 (1/2): 93–102.CrossRef
Smith, Alison. 1928. Review of Benn Levy’s Play the Man with Red Hair. The World, 10 November.
Stern, G.B. 1957a. … And Did He Stop and Speak to You? London: Coram in association with Centaur Press.
Stern, G.B. 1957b. Seventy Times Seven. London: Collins.
Walpole, Hugh, and Desmond Hawkins. 1940/41. The Novel and Short Story. In (Walpole, H) Works. [Broadcast] Dialogue with Desmond Hawkins: Harry Ransom Center, University of Texas at Austin.
Wearing, J.P. 2014. The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel. Lanham, MD: Rowman & Littlefield.
Weber, Brenda R. 2009. For the Love of Jane: Austen, Adaptation and Celebrity. In Adaptation in Contemporary Culture: Textual Infidelities, ed. Rachel Carroll. New York: Continuum.
Weedon, Alexis. 2016. The Effect of Emerging New Media in Book Publishing: Lessons from the Origins of Cross-media Storytelling in the Early Twentieth Century for Contemporary Transmedia Researchers. In Victorian Literary Cultures: Studies in Textual Subversion, ed. Kenneth Womack and James M. Decker, 101–114. Lanham, MD: Fairleigh Dickinson University Press and Rowman & Littlefield.
Weedon, Alexis. 2020. Women, Suffrage and Clemence Dane: A Game of Speculation. In Fiction and the Woman Question, ed. W. R. Owens, Nicola Darwood, and Alexis Weedon. Cambridge: Cambridge Scholars.
Metadaten
Titel
Storytellers and the Participatory Audience
verfasst von
Alexis Weedon
Copyright-Jahr
2021
Buch
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation

Print ISBN: 978-3-030-72475-7

Electronic ISBN: 978-3-030-72476-4

Copyright-Jahr: 2021

DOI
https://doi.org/10.1007/978-3-030-72476-4_2