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The chapter examines the oppressive relational dynamics engendered in The Walking Dead by reproductive futurist ideology. This dynamic of competition and ownership plays out in the conflict between Rick and Shane over Lori and Lori’s children. That this competition results in conflict and death rather than a cooperative adjustment of familial structure demonstrates the tenacity of heteronormative ideology. Even Carl ignores queer possibilities, and the competition over Lori and her children also foregrounds the significance of the symbolic Child, worth killing and dying for and able to temporarily redeem even the Governor. Occasionally, Rick briefly seems willing to reimagine family relationships, and the adherence of many characters to patriarchal norms repeatedly causes violence and death, even as the franchise frequently aligns itself with these norms.
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“18 Miles Out” (season 2, episode 10, 2012)
“Better Angels” (season 2, episode 12, 2012)
“Bury Me Here” (season 7, episode 13, 2017)
“Cherokee Rose” (season 2, episode 4, 2011)
“Days Gone Bye” (season 1, episode 1, 2010)
“Dead Weight” (season 4, episode 7, 2013)
“Live Bait” (season 4, episode 6, 2013)
“Pretty Much Dead Already” (season 2, episode 7, 2011)
“Secrets” (season 2, episode 6, 2011)
“Service” (season 7, episode 4, 2016)
“Tell It to the Frogs” (season 1, episode 2, 2010)
“Too Far Gone” (season 4, episode 8, 2013)
“Wildfire” (season 1, episode 5, 2010)
- That Is My Wife: Reproductive Futurism and Patriarchal Competition
John R. Ziegler
- Chapter 2
Entwicklung einer Supply-Strategie bei der Atotech Deutschland GmbH am Standort Feucht