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2018 | OriginalPaper | Buchkapitel

5. The Night Of: A Remake ‘Original’

verfasst von : Yvonne Griggs

Erschienen in: Adaptable TV

Verlag: Springer International Publishing

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Abstract

The remake is a particularly problematic mode of adaptation that crystallises the combative nature of discourse surrounding notions of adaptation as legitimate creative endeavour. This chapter explores The Night Of as a series which, despite its identity as a remake of the BBC series Criminal Justice (2008–2009), is capable of overriding its own status as a remake; emerging instead as a conspicuously authored HBO ‘original’ affiliated with the generic markers of the crime drama, the courtroom drama and the prison drama, it imbibes yet it also eclipses the text it adapts.

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Vorheriges Kapitel Orange Is the New Black as ‘Living Text’: From Memoir to TV Series
Fußnoten
1
See, for example, Jane Campion, Top of the Lake, BBC, 2013–; John Logan, Penny Dreadful, Showtime, and Just Kids, in production, Showtime; Guillermo del Toro, The Strain, FX 2014–; David Fincher, House of Cards, Netflix, 2013; Spike Lee, She’s Gotta Have it, Netflix, 2017; Cary Fukunaga, Maniac, Netflix, 2017.
 
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Metadaten
Titel
The Night Of: A Remake ‘Original’
verfasst von
Yvonne Griggs
Copyright-Jahr
2018
Buch
Adaptable TV

Print ISBN: 978-3-319-77530-2

Electronic ISBN: 978-3-319-77531-9

Copyright-Jahr: 2018

DOI
https://doi.org/10.1007/978-3-319-77531-9_5