nach oben

Erschienen in:

2014 | OriginalPaper | Buchkapitel

1. The Technical Part of the Painter’s Manuals Compiled and Used by Early Iconographers. Historic Notes

verfasst von : Mihaela D. Leonida

Erschienen in: The Materials and Craft of Early Iconographers

Verlag: Springer International Publishing

Einloggen

Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.

search-config

KI-gestützte Suche

Aus

Abstract

The word “icon” comes from the Greek eikon which means image. Typically icons are devotional objects representing characters or scenes from the Bible. Throughout history they have been made on different supports, using different materials and tools.

Sie haben noch keine Lizenz? Dann Informieren Sie sich jetzt über unsere Produkte:

Springer Professional "Wirtschaft+Technik"

Online-Abonnement

Mit Springer Professional "Wirtschaft+Technik" erhalten Sie Zugriff auf:

über 102.000 Bücher
über 537 Zeitschriften

aus folgenden Fachgebieten:

Automobil + Motoren
Bauwesen + Immobilien
Business IT + Informatik
Elektrotechnik + Elektronik
Energie + Nachhaltigkeit
Finance + Banking
Management + Führung
Marketing + Vertrieb
Maschinenbau + Werkstoffe
Versicherung + Risiko

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Springer Professional "Technik"

Online-Abonnement

Mit Springer Professional "Technik" erhalten Sie Zugriff auf:

über 67.000 Bücher
über 390 Zeitschriften

aus folgenden Fachgebieten:

Automobil + Motoren
Bauwesen + Immobilien
Business IT + Informatik
Elektrotechnik + Elektronik
Energie + Nachhaltigkeit
Maschinenbau + Werkstoffe

Jetzt Wissensvorsprung sichern!

Jetzt informieren

Nächstes Kapitel Materials From Natural Sources and Those Prepared in the Iconographer’s Studio or in the Peasant Household

Icon—used in the most comprehensive sense of the word, irrespective of the support it was painted on (wood, wall, textiles, etc.), of the technique used (fresco, secco, tempera, etc.), irrespective of the place it was exhibited (church, private house, exhibition hall), or of its dimensions.

Paupers’ Bibles—colorful hand-painted illuminated manuscripts on vellum. In the fifteenth century printed examples with woodcuts took over, mostly in the Netherlands and Germany. The simpler versions were used by clergy as a teaching aid for those who could not read, which included most of the population. The name Biblia pauperum first used by German scholars in the 1930s.

Marcus Vitruvius Pollio (born c. 80–70 BC, died c. 15 BC), Roman architect, engineer, and author of the treatise (De architectura On Architecture), a handbook for architects.

Pliny the Elder (Gaius Plinius Secundus)—born AD 23, died AD 79—Roman author, naturalist, philosopher, and army commander of the early Roman Empire. Wrote the encyclopedia Naturalis Historia (Natural History) which became a model for encyclopedias.

Giorgio Vasari (1511–1574)—Italian painter, architect, writer and historian. Wrote Lives of the Most Eminent Painters, Sculptors, and Architects, important contribution to the field of history of art writing.

Pedanius Dioscorides (c. 40–90 AD)—Greek physician, pharmacologist and botanist. Wrote De materia medica (Concerning Medical Matters), a five volumes treatise.

Flavius Heraclius Augustus (AD 575–641). Wrote De coloribus et artibus Romanorum (On the Colors and Arts of the Romans).

Alchemy flourished in Greco-Roman Egypt, the Islamic world during the Middle Ages, and then in Europe from the thirteenth to the eighteenth centuries.

Theophilus Presbyter (c. 1070–1125) compiled a detailed descriptions of various medieval crafts, Schedula diversarium artium—On Different Arts, providing detailed insights into the techniques used in the applied arts in the Middle Ages.

Cennino d’Andrea Cennini (c. 1370–c. 1440), Italian painter, influenced by Giotto.

Hermeneia, in Greek, means translation, interpretation, explanation. It was used in the ancient Greek-speaking world for detailed, systematic exposition of scriptural content.

Manuel Panselinos—Athonite painter from the Paleolog’s epoch (thirteenth century). He was known as one of the greatest painters of frescoes. Most of these can be found in the Protaton Church, at Mount Athos.

Mihalcu M, Leonida MD (2013) The hidden face of form and color. Eikon, Cluj-Napoca, p 158

Didron P, Durand AN (1845) Manuel d’iconographie chretienne grecque et latine. Imprimerie Royale, Paris

Berger E (1987) Quellen und Technik der Freskos, Oele, und Tempera Malerei des Mittelalters nach Quellenschriften und Versuchen. Reprint 2009 of the 1912 edition, Medieval and Modern Times Series. Saendig Reprint Verlag, München

Grunier J (1970) L’art et ses problemes. Rencontre, Paris

Cennini CA (1960) The craftsman’s handbook. Translated by Daniel Thompson. Dover Publ. Inc., New York

Schorn L (1838) Kunstblatt, Stuttgart und Tübingen 1–5(2):431

Grecu V (1936) Carti de picture bisericeasca bizantina. Glasul Bucovinei, Cernauti

Uspenskii PD (1868) Erminiia ili nastavlenie v jvopinomi iscutssvo sostavlenoe ieromonahomi i jivpistemi Dionisiemi firnoagrafiotom. Kiev

Sandulescu-Verna C (1979) Erminia picturii bizantine. Mitropoliei Banatului, Timisoara

10.

http://russianicons.wordpress.com/2011/09/29/podlinniki-the-manuals-of-icon-painting-and-how-to-read-them/. Accessed 19 July 2013

11.

Ghenadie of Râmnic (1904) Iconografia. Arta de a zugrăvi biserici şi icone bisericeşti. Tipografia cărţilor bisericeşti. Bucharest

12.

Kogălniceanu M (1882) Revista pentru istorie, arheologie si filozofie 1:33–35

13.

Berechet S (1928) Buletinul Comisiunei Monumentelor Istorice (Basarabia), II: 125–135

14.

Iorga N (1921) Comisia franco-romana II, nr. 33

15.

Petrescu C (1932) Universul (Bucuresti), XLIX, May 1, 20: 9

16.

Voinescu T (1978) Radu Zugravu. Meridiane, Bucharest

17.

Mihalcu M (1984) Romanian medieval values. Sport-Tourism, Bucharest

18.

Mihalcu M, Leonida MD (2013) The hidden face of form and color, 2nd edn. Eikon, Cluj-Napoca

19.

Romanian manuscript 1127 The Library of the Romanian Academy, Bucharest

20.

Romanian manuscript 3586 The Library of the Romanian Academy, Bucharest

21.

Romanian manuscript 4353 The Library of the Romanian Academy, Bucharest

22.

Petrescu C (1931) L’art de la fresque. Lefranc, Paris

Titel: The Technical Part of the Painter’s Manuals Compiled and Used by Early Iconographers. Historic Notes
verfasst von: Mihaela D. Leonida
Verlag: Springer International Publishing
Buch: The Materials and Craft of Early Iconographers
Print ISBN: 978-3-319-04827-7

Electronic ISBN: 978-3-319-04828-4

Copyright-Jahr: 2014
DOI: https://doi.org/10.1007/978-3-319-04828-4_1

Premium Partner

Marktübersichten

Die im Laufe eines Jahres in der „adhäsion“ veröffentlichten Marktübersichten helfen Anwendern verschiedenster Branchen, sich einen gezielten Überblick über Lieferantenangebote zu verschaffen.

Zur Marktübersicht