2009 | OriginalPaper | Buchkapitel
Geometry of Gestures
Erschienen in: Flow, Gesture, and Spaces in Free Jazz
Verlag: Springer Berlin Heidelberg
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After the philosophical preliminaries of the last chapter, we are now prepared to define gestures in a more precise and effective way. It is not claimed that all of those deep and abstract philosophical thoughts can be saved, but we shall see that the possible loss of depth is also a loss of vagueness and a gain in operationality. It is our hope that the actual making of free jazz will will profit from such precision and effectiveness. This is the topic we shall detail in chapter 9:
The Escher Theorem and Gestural Creativity in Free Jazz
. Moreover, we shall introduce the concept of the hypergesture that is enabled by our geometric conceptualization, and has deep consequences on the level of cognitive science. All in all, this chapter is a risky advance to shed some speculative depth in order to envision some of the more precise parameters of gesture.