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Erschienen in:
2016 | OriginalPaper | Buchkapitel
9. Immersed in Sound: Kursk and the Phenomenology of Aural Experience
verfasst von : George Home-Cook, Kristian Derek Ball
Erschienen in: Reframing Immersive Theatre
Verlag: Palgrave Macmillan UK
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Abstract
In this interview extract, George Home-Cook reflects on what it means to be ‘immersed in sound’. Steering clear of the natural tendency to set hearing (distractedness) over and against listening (attentiveness), Home-Cook invites us to reconsider aural immersion in dynamic terms. He urges us to pay closer attention to the dynamics of embodied attending: immersion is ‘dynamic embodied attending in the world’ (Arvidson 2006; emphasis original). Referring to Sound&Fury’s Kursk, the interview considers the particularities of conducting a phenomenology of theatrical listening.