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Erschienen in:
Synchronization and Self-Organization as Basis of Musical Performance, Sound Production, and Perception Kapitel lesen Erstes Kapitel lesen

2013 | OriginalPaper | Buchkapitel

Quantal Elements in Musical Experience

verfasst von : Rolf Inge Godøy

Erschienen in: Sound - Perception - Performance

Verlag: Springer International Publishing

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Abstract

The aim of this paper is to present a model for understanding unit formation, what we prefer to call chunking, at short-term timescales in musical experience, typically in the duration range of approximately 0,5 to 5 seconds. The idea is that at these short-term timescales, chunks of sound and associated body motion are conceived and perceived holistically, hence demonstrate what may be called quantal elements in musical experience. Very many salient musical features for identifying style, motion, and affect, can be found at such short-term timescales. Also, there are several constraints in perception, cognition and body motion that converge on suggesting quantal elements at work in music. A better understanding of such quantal elements in musical experience could be useful in the fields of music perception, music analysis, and music information retrieval, as well as in various practical artistic and educational contexts.

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Vorheriges Kapitel Change and Continuity in Sound Analysis: A Review of Concepts in Regard to Musical Acoustics, Music Perception, and Transcription
Nächstes Kapitel Strong Emotions in Music: Are they an Evolutionary Adaptation?
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Metadaten
Titel
Quantal Elements in Musical Experience
verfasst von
Rolf Inge Godøy
Copyright-Jahr
2013
Verlag
Springer International Publishing
Buch
Sound - Perception - Performance

Print ISBN: 978-3-319-00106-7

Electronic ISBN: 978-3-319-00107-4

Copyright-Jahr: 2013

DOI
https://doi.org/10.1007/978-3-319-00107-4_4

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