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2018 | OriginalPaper | Buchkapitel

12. Music Studio Technology

verfasst von : Robert Mores

Erschienen in: Springer Handbook of Systematic Musicology

Verlag: Springer Berlin Heidelberg

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Abstract

Music studio technology is reviewed with respect to the different tasks involved in recordings, broadcasts, and live concerts. The chapter covers microphones and microphone arrangements, signal preconditioning and sound effects, and matters of digitalization. It also covers equipment technology such as mixing consoles, synthesizers and sequencers. Historical and contemporary audio formats are reviewed including the issues of restoration. Practical matters such as signals, connectors, cables and grounding problems are addressed due to their significance to sound quality. The general trend towards audio networks is shown. Finally, speakers, reference listening and reinforcement systems are outlined, including some of the multidimensional formats.

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Vorheriges Kapitel Room Acoustics – Fundamentals and Computer Simulation

Nächstes Kapitel Delay-Lines and Digital Waveguides

12.1

M. Williams: Microphone Arrays for Stereo and Multichannel Sound Recording, Vol. 1 (Editrice Il Rostro, Segrate 2004)

12.2

U. Herrmann, V. Henkels, D. Braun: Comparison of 5 surround microphone methods. In: 20. Tonmeistertagung (Bildungswerk des Verbandes Deutscher Tonmeister, Verlag K. G. Saur, München 1999) pp. 508–517

12.3

M. Williams, G. Le Dû: Microphone array analysis for multichannel sound recording. In: 107th AES Convention Preprint 4997 (1999)

12.4

G. Theile: Natural 5.1 music recording based on psychoacoustic principals. In: AES 19th Int. Conf.: Surround Sound – Techniques, Technol. Percept., Elmenau (2001)

12.5

M.A. Gerzon: The design of precisely coincident microphone arrays for stereo and surround sound. In: 50th Convention of the Audio Engineering Society (Mathematical Institute, University of Oxford, Oxford 1975), pp. Preprint L–20

12.6

M. Vorländer: Auralization: Fundamentals of Acoustics, Modelling, Simulation, Algorithms and Acoustic Virtual Reality (Springer, Berlin 2008) pp. 1–335

12.7

R. Bader: Reconstruction of radiating soundfields using minimum energy method, J. Acoust. Soc. Am. 127, 300 (2010)CrossRef

12.8

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12.9

W.G. Gardner: Efficient convolution without input-output delay, J. Audio Eng. Soc. 43(3), 127–136 (1995)MathSciNet

12.10

G. de Poli (Ed.): Representations of Musical Signals. Proc. Int. Workshop, Sorrento 1991) pp. 1–478

12.11

CITT G.726, Recommendation: General Aspects of Digital Transmission Systems; Terminal Equipments 40, 32, 24, 16 kbit/s adaptive differential pulse code modulation (ADPCM) (The International Telegraph and Telephone Consultative Committee, Geneva 1990)

12.12

DIN EN ISO 226:2006-04 (E): Acoustics – Normal Equal-Loudness-Level Contours (Beuth, Berlin 2006)

12.13

EBU – TECH 3306, Technical Specification: MBWF/RF64:An Extended File Format for Audi (European Broadcasting Union, Geneva 2009)

12.14

ISO/IEC 11801, International standard: Information Technology – Generic Cabling for Customer Premises, 2nd edn. (International Organization for Standardization, Geneva 2002)

12.15

AES3, AES standard for digital audio engineering: Serial transmission format for two-channel linearly represented digital audio data (Audio Engineering Society, New York 2009)

12.16

AES10-2008 (r2014): AES Recommended Practice for Digital Audio Engineering – Serial Multichannel Audio Digital Interface (MADI) (Audio Engineering Society, New York 2008

12.17

IEEE 1394, IEEE Sandard: IEEE Standard for a High-Performance Serial Bus (Institute of Electrical and Electronics Engineers, Piscataway 2008)

12.18

IEEE 1588, IEEE Standard: IEEE Standard for a Precision Clock Synchronization Protocol for Networked Measurement and Control Systems (Institute of Electrical and Electronics Engineers, Piscataway 2008)

12.19

EBU – TECH 3326, Technical Specification: Audio Contribution over IP, Rev. 4 (European Broadcasting Union, Geneva 2014)

12.20

EBU – TECH 3329, Tutorial: A Tutorial on Audio Contribution over IP (European Broadcasting Union, Geneva 2008)

12.21

ITU-R BS.1284-1, Recommendation: General Methods for the Subjective Assessment of Sound Quality (International Telecommunications Union—Radiocommunication, Geneva 2003)

12.22

S. Bech, N. Zacharov: Perceptual Audio Evaluation – Theory, Method and Application (Wiley, Chichester 2006)CrossRef

12.23

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12.24

D. de Vries: Sound reinforcement by wavefield synthesis: adaptation of the synthesis operator to the loudspeaker directivity characteristics, J. Audio Eng. Soc. 44, 1120–1131 (1996)

12.25

E.M. Hulsebos, D. de Vries: Parameterization and reproduction of concert hall acoustics measured with a circular microphone array. In: AES Convention, Munich (2002), Paper 5579

12.26

K. Hamasaki, T. Nishiguchi, R. Okumura, Y. Nakayama, A. Ando: A 22.2 multichannel sound system for ultra-high-definition TV (UHDTV), SMPTE Motion Imaging J. 117(3), 40–49 (2008)CrossRef

12.27

ST 2036-2, Standard: Ultra High Definition Television – Audio Characteristics and Audio Channel Mapping for Program Production. (Soc. of Motion Picture and Television Eng., White Plains, New York 2008)

12.28

W. Dabringhaus: 2+2+2 – kompatible Nutzung des 5.1 Übertragungsweges für ein System dreidimensionaler Klangwiedergabe klassischer Musik mit drei stereophonen Kanälen, (The 5.1 reproduction chain gives us the chance to be used as a true threedimensional sound-reproduction system for classical music with three pairs of loudspeakrers). In: 21. Tonmeistertagung (MM-Musik-Media-Verlag, Hannover 2000)

12.29

V.R. Algazi, R.O. Duda, D.M. Thompson, C. Avendano: The CIPIC HRTF Database. In: Proc. 2001 IEEE Workshop Appl. Signal Process. Audio Electroacoust (Mohonk Mountain House, New Paltz 2001) pp. 99–102

12.30

V.R. Algazi, R.O. Duda, R. Duraiswami, N.A. Gumerov, Z. Tang: Approximating the head-related transfer function using simple geometric models of the head and torso, J. Acoust. Soc. Am. 112, 2053 (2002)CrossRef

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V.C. Raykar, R. Durais, B. Yegnanarayana: Extracting the frequencies of the pinna spectral notches in measured head related impulse responses, J. Acoust. Soc. Am. 118, 364 (2005)CrossRef

12.32

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Titel: Music Studio Technology
verfasst von: Robert Mores
Verlag: Springer Berlin Heidelberg
Buch: Springer Handbook of Systematic Musicology
Print ISBN: 978-3-662-55002-1

Electronic ISBN: 978-3-662-55004-5

Copyright-Jahr: 2018
DOI: https://doi.org/10.1007/978-3-662-55004-5_12

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