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2016 | Buch

Feminist Activism and Digital Networks

Between Empowerment and Vulnerability

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This book sheds new light on the way that, in the last decade, digital technologies have become inextricably linked to culture, economy and politics and how they have transformed feminist and queer activism. This exciting text critically analyses the contradictions, tensions and often-paradoxical aspects that characterize such politics, both in relation to identity and to activist practice. Aristea Fotopoulou examines how activists make claims about rights online, and how they negotiate access, connectivity, openness and visibility in digital networks. Through a triple focus on embodied media practices, labour and imaginaries, and across the themes of bodily autonomy, pornography, reproduction, and queer social life, she advocates a move away from understandings of digital media technologies as intrinsically exploitative or empowering. By reinstating the media as constant material agents in the process of politicization, Fotopoulou creates a powerful text that appeals to students and scholars of digital media, gender and sexuality, and readers interested in the role of media technologies in activism.

Inhaltsverzeichnis

Frontmatter
1. Introduction: Conceptualising Feminist Activism and Digital Networks
Abstract
This chapter introduces the key focus of the book: the contradictions, tensions, and often-paradoxical aspects of feminist and queer politics in a digital world of dense connections. How can feminism and queer activism articulate a political response to the new forms of governmentality that result from digital technologies, while using these same technologies in order to circulate their counter-narratives and inhabit their versions of the world? By crossing through the themes of bodily autonomy, pornography, reproduction, and queer social life, I visit some of the inherent contradictions of this political project and stress that, between empowerment and vulnerability, feminism remains today a necessary and passionate struggle for social justice. The Introductory Chapter clarifies some of the key theoretical premises of the book and introduces two key interdisciplinary analytical tools for future research, by drawing critically from existing innovative research in the fields of media theory, political science and feminist science, and technology studies. The chapter outlines the book’s general approach to the question of materiality, and its emphasis on the material, social and embodied aspects of digital media technologies and activist practices. First it analyses how the notions of labour and communicative practice are central aspects of materiality in relation to the digital, which shape the very conditions of political organising, and how we understand what it means to be political as feminists. Then, it highlights theoretical work that challenges representationalism by looking at the ideas of, amongst others, Tiziana Terranova (2004), Hardt and Negri (2000), and Jodie Dean (2009); then, it moves on to examine ‘posthumanist performativity’ (Barad, 2007) as a way of thinking about embodiment in digital networks beyond the matter/representation binary. Through this exploration, the chapter introduces the concept of biodigital vulnerability, which positions vulnerability as a precondition for enabling feminist and queer political subjectivity.
Aristea Fotopoulou
2. Women’s Organisations and the Social Imaginary of Networked Feminism: Digital and Networked by Default?
Abstract
This chapter begins to investigate new activist media practices by drawing on ethnography with various feminist organisations and individuals based in London. I focus on how these actors understood the role of digital media in contemporary feminism. My fieldwork shows how activists negotiate access, connectivity, immediacy, labour and visibility, the key characteristics of digital technologies, while they raised important points of critique about technical expertise and unpaid labour in the context of post–2008 austerity. Of particular interest here is how activist practices are influenced by libertarian promises that make up a shared social imaginary of the internet as an empowering technology. There is a wider rhetoric of digital networks as sites of non-hierarchical modes of connection and as elementary components of democratic participation. My argument is that this imaginary influences what counts as legitimate political engagement for feminists today and is instrumental in shaping the form and agendas of women's organisations. The findings demonstrate that indeed, the internet presents an alternative way of engagement for many London-based women groups as it provides spaces for rapid circulation of their campaign material, and connection with one another. At the same time, it becomes a space where older feminists, who are not ‘digital natives’, experience an uncomfortable sense of being left behind and forgotten about. With this discussion, the chapter portrays how the web becomes a new mediated context of increased visibility and connectivity, part of the wider media ecology, where political opinions about old and still unresolved feminist issues are being reformulated whilst vulnerability and empowerment are experienced in new mediated ways.
Aristea Fotopoulou
3. The Paradox of Feminism, Technology and Pornography: Value and Biopolitics in Digital Culture
Abstract
In this chapter, I move on to examine the tensions and contradictions that characterise feminist and queer pornographic production and self-exposure practices in the era of ‘selfie’ culture. Here I begin to untangle some of the past and present feminist debates on pornography by addressing issues around web visibility and communication technology more generally, and by contextualising them in light of contemporary postporn politics. Moving away from questions of representation, my question is: What is political about these practices? My analysis first focuses on how postporn cultures raise critical questions about communicative capitalism, about what it means to be human and how we can live with digital technologies, and how they reflect on profound anxieties about what constitutes authenticity and individuality. Then I continue to explore two exemplary cases: nofauxxx.com, a queer and women-owned porn production company that claims a feminist identity; and Shu Lea Cheang's 2001 film I.K.U., a Japanese sci-fi postporn/artporn film, and make special mention of explicit selfies and the so-called ‘selfie feminism’. By employing a biopolitical framework of network capitalism, I offer a substantive account of the complex relationship between feminism and the online porn market, to show how queer and feminist identities are becoming increasingly diffused. Although scholarly work in queer and postporn studies has variously conceptualised bioart and sex-positive blogging as expressions of resistance to a normative sexual order, I argue that content generation by both artists and companies is largely guided by neoliberal discourses of consumer choice and sexual agency, in the same way as any other porn production without a specifically feminist or/and queer agenda. At the same time, producers of queer porn and participants in postporn networks are aware of their subordination and the new forms of biodigital vulnerability, which differentiates them significantly from heterosexual amateur porn cultures. It is because of this awareness and negotiations of vulnerability, I suggest, that the networked connections, events and practices of these actors can be politically empowering.
Aristea Fotopoulou
4. From Egg Donation to Fertility Apps: Feminist Knowledge Production and Reproductive Rights
Abstract
This chapter revisits the concept of networked feminism within the wider context of debates in contemporary feminism about forms of gendered and reproductive labour (Dickenson, 2007; Franklin and Lock, 2003; Thompson, 2005). I turn here to account for feminist projects of knowledge production about reproductive technologies and their regulation in digital media, focusing specifically on the example of fertility policy around egg donation and fertility tracking with smart technologies. The significance of reproductive labour for global capitalism, and the biodigital vulnerabilities that are created in relation to reproductive technologies are my key interests in this discussion. Reproductive labour and the changes in the political economy of reproduction brought by new reproductive technologies, such as in-vitro fertilisation and egg extraction, are controversial issues that have invited numerous feminist interventions around the world. A conceptualisation of gendered labour is vital for an understanding of the reconfigurations of the ‘political’ in our digitally mediated worlds. Second, I move on to analyse the communicative acts that contribute to a layperson’s knowledge production about reproductive rights, and note how these cut across academic/grassroots, online/offline, and national/local spaces, whilst challenging these boundaries. Feminist networks attempt to create alternative but credible sources of knowledge that question dominant understandings of biomedicine and its policy. My examination shows how these actors establish their credibility and how their participation in mainstream digital media legitimises them as representatives of affected groups in society. The central preoccupation with subjective experience and seizing control over one’s body in contemporary feminist mobilisations indicates continuity with the Women’s Health Movement. As with the other chapters in this book, there are deep contradictions that characterise feminist politics of reproduction, as neoliberal discourses of individual choice, sexual agency and empowerment shape the conditions in which they emerge. I argue that these politics can be better understood in relation to embodied, material practices of knowledge production, mutual learning and self-experimentation with digital media and smart technologies.
Aristea Fotopoulou
5. Space, Locality and Connectivity: The End of Identity Politics as We Know It?
Abstract
From the international biopolitical networks of reproduction and pornography, in this chapter I cross over to consider the specificity and importance of locality and space for queer political cultures in digital networks. I am motivated here by the need to understand how the meaning of belonging, community and politics are changing with digital networking technologies. I draw from ethnographic analysis of an anarcho-queer activist group in Brighton called Queer Mutiny, and examine how reterritorialisation and community building were key elements of their political project. Through a combination of pedagogic and cultural activist practices, where peer support and learning are central, activists built a strong sense of place, and maintained an active connection between the past, the present and the future. These practices involved workshops and parties, as well as the production of DIY zines and online content, and aimed at creating a community life with thick and strong ties Brighton. Through a discussion of the group’s resistance to digital media technologies, I show how social networking was in this case key in a project of world-making, as a means for documenting and promoting assets of community and strengthening embodied affective relations on the ground. Meanwhile, the chapter shows the tensions between how participants imagined global activism and how this activism materialised locally, against this backdrop of neoliberalism and the ‘pink pound’. With an attention to intimacy, friendship and belonging and their centrality for local political communities and cultures, the chapter returns to a key concern in this book: the ways in which, in the digital world, feminist and queer activism are today performed and enacted through affective relations and material, embodied practices.
Aristea Fotopoulou
6. Epilogue: Looping Feminist Threads
Sustaining Knowledge, Creating Possibility
Abstract
In this book, I set off to answer a key question: What do feminism and queer activism mean in the digital era, when digital technologies are so inextricably linked to culture, economy and politics? By asking what feminism and queer activism are in the digital era, I have focused on the contradictions, tensions and often-paradoxical aspects of these politics, in relation to both identity and activist practice. I started from the premise that today both feminism, as forceful critique and praxis, and the figure of the feminist are often missing in digital as well as activism studies. This final chapter revisits the key premise of the book, that doing feminism and being feminist involves enacting ourselves as activists – as embodied – and political subjects through media practices, technologies and their imaginaries. While digital networks help us maintain a dialogue with the past, feminism creates conditions of possibility in the present, for a livable future – by making claims for rights, and social justice, across networks, media, and technologies. This epilogue is a reminder that the recursive loops of feminism – across time, linking past, present and future – matter.
Aristea Fotopoulou
Backmatter
Metadaten
Titel
Feminist Activism and Digital Networks
verfasst von
Aristea Fotopoulou
Copyright-Jahr
2016
Electronic ISBN
978-1-137-50471-5
Print ISBN
978-1-137-50470-8
DOI
https://doi.org/10.1057/978-1-137-50471-5