Anzeige
Erschienen in:
2015 | OriginalPaper | Buchkapitel
Storyboarding in the Digital Age
verfasst von : Chris Pallant, Steven Price
Erschienen in: Storyboarding
Verlag: Palgrave Macmillan UK
Aktivieren Sie unsere intelligente Suche, um passende Fachinhalte oder Patente zu finden.
Wählen Sie Textabschnitte aus um mit Künstlicher Intelligenz passenden Patente zu finden. powered by
Markieren Sie Textabschnitte, um KI-gestützt weitere passende Inhalte zu finden. powered by
While the majority of live-action film-makers now rely on digital technology — at the point of capture, when editing, or as a means of promotion and distribution — the act of storyboarding for a live-action film may still resemble any one of the variety of approaches already discussed in this book. However, the increasing ubiquity of digitally animated effects in seemingly live-action sequences, whether for the sake of overt spectacle or not, has prompted film-makers to turn to the additional intermediary stage of digital pre-visualisation (‘previs’) in order to more closely control the creation of the image.1