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2013 | OriginalPaper | Buchkapitel

1. The Economics of Creativity Between Culture, Innovation, and Competitiveness

verfasst von : Alessia Zorloni

Erschienen in: The Economics of Contemporary Art

Verlag: Springer Berlin Heidelberg

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Abstract

This chapter provides a review of the literature on art economics and in particular, the economics of contemporary art. After the analysis of creativity, as one of the main inputs of cultural production, this chapter focuses upon the characteristics of the creative economy, highlighting the relationship between culture, innovation and competitiveness in a given country.

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Fußnoten
1
Nazar (2002).
 
2
Art economics originated as part of political economics.
 
3
Baumol has measured the rates of return of investment in paintings because he is a passionate connoisseur and collector; Mark Blaug has talked about performances because he is a competent spectator; Keynes invested his financial profits in support of his activities as a collector of paintings and rare books. Finally, Keynes spoke about painting and ballet, not only thanks to his ideal of beauty, but also because stimulated by his relationships, since his Russian-born wife Lydia Lapokova was a ballet dancer (Candela and Castellani 2000).
 
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Metadaten
Titel
The Economics of Creativity Between Culture, Innovation, and Competitiveness
verfasst von
Alessia Zorloni
Copyright-Jahr
2013
Verlag
Springer Berlin Heidelberg
DOI
https://doi.org/10.1007/978-3-642-32405-5_1

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