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Erschienen in:
Introduction: “The Making of…,” Adaptation and the (Trans-)Cultural Imaginary Kapitel lesen Erstes Kapitel lesen

2019 | OriginalPaper | Buchkapitel

9. The “Making of” Gone with the Wind: Popular Studies and Documentaries

verfasst von : Jan Cronin

Erschienen in: The Making of… Adaptation and the Cultural Imaginary

Verlag: Springer International Publishing

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Abstract

This chapter explores the response to enthralment by Gone with the Wind in popular “Making of” studies and documentaries, and considers the modes and properties by which readers’ enthraldom is negotiated and facilitated. Cronin highlights the extension of the occlusions, elisions and restrictions regarding slavery by which the film adaptation secured investment in the first place, and the apologist tactics and contestations that form part of a wider and familiar “Making of” scheme of extension through contestation. The chapter looks at the related trajectory towards adaptation within these “Making of” texts, and at the contributions these texts make to understanding of the “Making of” genre and its relationship with adaptation as substitutive practice.

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Vorheriges Kapitel Adapting Gone with the Wind
Nächstes Kapitel Time Machines?: Dramatizing the “Making of” Gone with the Wind
Literatur
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———. 2001b. “The Wind Done Gone—From the Scars to a Heart.” Los Angeles Times, May 2, B.9.
Taylor, Helen. 2015. Gone with the Wind. London: Palgrave Macmillan on behalf of the British Film Institute.CrossRef
Tippett Rains, Sally. 2009. The Making of a Masterpiece: The True Story of Margaret Mitchell’s Classic Novel “Gone with the Wind.” Beverly Hills: Global Book Publishers.
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Metadaten
Titel
The “Making of” Gone with the Wind: Popular Studies and Documentaries
verfasst von
Jan Cronin
Copyright-Jahr
2019
Buch
The Making of… Adaptation and the Cultural Imaginary

Print ISBN: 978-3-030-28348-3

Electronic ISBN: 978-3-030-28349-0

Copyright-Jahr: 2019

DOI
https://doi.org/10.1007/978-3-030-28349-0_9