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Erschienen in:
Introduction: Netflix and the Re-invention of Television Kapitel lesen Erstes Kapitel lesen

2018 | OriginalPaper | Buchkapitel

6. Introduction: Binge-Watching Netflix

verfasst von : Mareike Jenner

Erschienen in: Netflix and the Re-invention of Television

Verlag: Springer International Publishing

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Abstract

This introduction to Part II: Binge-Watching and the Re-invention of Control sets out the theoretical parameters for the next three chapters. This chapter grapples with the question of how to define binge-watching and how it can be approached from a variety of perspectives to take into account the various technologies that enable binge-watching and how it links in with concepts of control. Somewhat contrary to the addiction metaphors implied in the terminology (see Brunsdon in Relocating Television: Television in the Digital Context. Routledge, London, 61–75, 2010), binge-watching has been linked to concepts of control over the television schedule discussed in the chapters of Part I. However, building on these ideas of previous ancillary technologies, the analysis of Netflix in the following chapters also shows how it has pushed the concept of binge-watching to the forefront in its own structuring, branding and marketing.

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Vorheriges Kapitel Digital Television and Control
Nächstes Kapitel Scheduling the Binge
Fußnoten
1
There are exceptions to this, such as the final season of Breaking Bad, Scream (MTV, 2015–6) or Crazy Ex-Girlfriend (CBS, 2015–) which are licensed under a deal that permits the publication of new episodes in international markets shortly after they air in the US. Thus, the season is published in weekly instalments, allowing viewers to ‘save up’ episodes or watch them weekly. However, in these cases, viewers are ultimately left to self-schedule rather than being given a specific time slot each week.
 
Literatur
Brunsdon, Charlotte. 2010. “Bingeing on Box-Sets: The National and the Digital in Television Crime Drama.” In Jostein Gripsrud (ed.), Relocating Television: Television in the Digital Context, 61–75. London: Routledge.
Chun, Wendy Hui Kyong. 2006. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge, MA: MIT Press.
Eastman, Susan Tyler, and Jeffrey Neal-Lunsford. 1993. “The RCD’s Impact on Television Programming and Promotion.” In Robert V. Bellamy and James R. Walker (eds.), The Remote Control in the New Age of Television, 189–210. London: Praeger.
Finn, Ed. 2017. What Algorithms Want: Imagination in the Age of Computing. Cambridge, MA: MIT Press.CrossRef
Frolova, Ksenia. 2017. “We Pretty Much just Watched it all Back to Back!” Critical Studies in Television: The International Journal of Television Studies 12 (3): 243–55.CrossRef
Gillan, Jennifer. 2015. Television Brandcasting: The Return of the Content-Promotion Hybrid. New York and London: Routledge.
Hills, Matt, and Joanne Garde-Hansen. 2017. “Fandom’s Paratextual Memory: Remembering, Reconstructing, and Repatriating ‘Lost’ Doctor Who.” Critical Studies in Media Communication 34 (2): 158–167.CrossRef
Jacobs, Jason. 2011. “Television, Interrupted: Pollution or Aesthetic?” In James Bennett and Niki Strange (eds.), Television as Digital Media. Durham, NC: Duke University Press. Kindle, location 3065–3399.CrossRef
Jenner, Mareike. 2017. “Binge-Watching: Video-on-Demand, Quality TV and Mainstreaming Fandom.” International Journal of Cultural Studies 20 (3): 304–320.CrossRef
Kompare, Derek. 2005. Rerun Nation: How Repeats Invented American Television. New York, NY: Routledge.CrossRef
Lotz, Amanda D. 2014. The Television Will Be Revolutionized, 2nd ed. New York: New York University Press.
Newman, Michael Z., and Elana Levine. 2012. Legitimating Television: Media Convergence and Cultural Status. Abingdon: Routledge.
Perks, Lisa Glebatis. 2015. Media Marathoning: Immersions in Morality. Lanham, MD: Lexington Books.
Metadaten
Titel
Introduction: Binge-Watching Netflix
verfasst von
Mareike Jenner
Copyright-Jahr
2018
Buch
Netflix and the Re-invention of Television

Print ISBN: 978-3-319-94315-2

Electronic ISBN: 978-3-319-94316-9

Copyright-Jahr: 2018

DOI
https://doi.org/10.1007/978-3-319-94316-9_6