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The Rise of CCIs: Setting the Scene Kapitel lesen Erstes Kapitel lesen

2023 | OriginalPaper | Buchkapitel

4. Location Behaviours of CCIs: Towards New Research Trajectories

verfasst von : Roberto Dellisanti

Erschienen in: Cultural and Creative Industries and Regional Development

Verlag: Springer International Publishing

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Abstract

Spatial concentration of Cultural and Creative Industries is not a new topic in academic research. However, the analysis of this phenomenon often neglects that CCIs behave differently, due to their heterogeneity. This chapter focuses on the literature on CCIs’ concentration, highlighting that there exist two key dimensions behind this process: CCIs’ heterogeneous creativity and the type of filière in which they are embedded. This review presents four different approaches to reading the wide literature on this field and, based on the literature discussion, the new research trajectories are introduced. In detail, a conceptual taxonomy of the main agglomeration factors based on creativity and filière is presented.

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Vorheriges Kapitel An Original Framework for the Identification of Creativity in CCIs
Nächstes Kapitel Where Is Creativity? Data and Methodology to Measure CCIs Across EU Regions
Fußnoten
1
Cf. Branzanti (2015) and Chapain and Sagot-Duvauroux (2020) for reviews on the spatial concentration of CCIs from a district economy’s perspective.
 
2
Notice that also the reverse may be true. CCIs act as attractors for people, improving the quality of the place-brand (Capone and Lazzeretti 2016).
 
3
Santagata (2009) also underlined the threat faced by cultural districts due to the difficulty of the intergenerational transition, especially in the Era of globalisation and delocalisation.
 
4
Rosenthal and Strange (2001) identified that a reliance on manufactured inputs contributes to agglomeration more in comparison with other segments.
 
5
Overman and Puga (2010) highlighted that, although the meat processing industry buys a lot from intermediates, it has no reason to concentrate in space, as its main suppliers (farms and plastic film industry) do not cluster.
 
6
This differs from institutional proximity, that is a much wider concept. The idea of institutional proximity emerged from the acknowledgement that innovative processes are strongly concentrated in space, and this is the result of a system of traditions, norms, habits, and more in general codes that has been nicely defined as institutional thickness. Cf. Amin and Thrift (1994) and Lundvall and Johnson (1994) for a wider perspective.
 
7
The presence of institutions, often proxied by the presence of political power in the area, is collinear with the degree of urbanisation in general. For this reason, some argued that it is the urban–rural typology a big driver of concentration and not the political ranking of the city (Ženka and Slach 2018).
 
8
For instance, it has been found that the average labour productivity is greater in American cities with more than 5 million inhabitants (Alonso 1971).
 
9
However, this path led to the emergence of extremely unequal cities that became victims of their own success, with huge inequality reaching its peaks, perversely, in the most liberal and creative areas since “Knowledge-based places don’t just reflect inequality, they help create it” (Florida 2017). In turn, artists may move and change their location, leaving the old “creative” cities at the mercy of the ghosts they contributed to create.
 
10
During the 80s the GREMI (Groupe de recherche européen sur les milieux innovateurs) identified the system of formal and informal relationships among individuals and firms as one of the main sources of benefits for innovative performances and success of places (Camagni 1991).
 
11
For a deeper analysis of untraded interdependencies, cf. Storper (1995), Keeble and Wilkinson (1999), and Vicente (2018).
 
12
For this discussion, only three forms of proximity have been mentioned. However, regional science theory builds on other forms of proximity. Among others, cf. Boschma (2005), Capello (2009), Torre and Wallet (2014) for further references on proximities.
 
13
She focused on New York City, but the reasoning can be easily extended to other built environments.
 
14
Santagata (2009) also underlined the threat faced by cultural districts due to the difficulty of the intergenerational transition, especially in the Era of globalisation and delocalisation.
 
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Metadaten
Titel
Location Behaviours of CCIs: Towards New Research Trajectories
verfasst von
Roberto Dellisanti
Copyright-Jahr
2023
Buch
Cultural and Creative Industries and Regional Development

Print ISBN: 978-3-031-29623-9

Electronic ISBN: 978-3-031-29624-6

Copyright-Jahr: 2023

DOI
https://doi.org/10.1007/978-3-031-29624-6_4