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2019 | OriginalPaper | Buchkapitel

5. The ‘Creative Listener:’ Internet, Music, and the Computer-Bodymind Somatechnic

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Abstract

This chapter focuses on the Internet as a technology of music listening as it is accessed exclusively through fixed-point personal computers. The author is concerned with how the listener actively and creatively produces their own listening experience as it is mediated through the fixed-point personal computer. It is asserted that the coupling of the bodymind and the personal computer produces a unified field of relations, an artefact which we can examine through the lens of somatechnics. This unified field of relations, what is referred to as the ‘personal computer bodymind,’ or for short the PCBM, realigns and reconstitutes listening pleasure in unexpected ways because it enables unique and creative listening practices contingent upon the functional nature of Internet-computing technologies and they are expressed in the interactive Web 2.0 culture. The chapter argues that the PCBM produces a new ‘type’ of listener: the creative listener.

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Fußnoten
1
The word muzak is often used to refer to a generic type of music, but the term muzak® denotes a registered trademark belonging to the company Muzak® Holdings, which was sold in 2011 to the Mood Media company. It is the latter term I use in this chapter.
 
2
I thank Professor Peter Beilharz for this detail.
 
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Metadaten
Titel
The ‘Creative Listener:’ Internet, Music, and the Computer-Bodymind Somatechnic
verfasst von
Laura Glitsos
Copyright-Jahr
2019
DOI
https://doi.org/10.1007/978-3-030-18122-2_5