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Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures Kapitel lesen Erstes Kapitel lesen

2017 | OriginalPaper | Buchkapitel

3. The Great Dyke Rewrite: Lesbian Camp on the Big Screen

verfasst von : Katrin Horn

Erschienen in: Women, Camp, and Popular Culture

Verlag: Springer International Publishing

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Abstract

Chapter 3 reads But I’m a Cheerleader (1999, Dir. Jamie Babbit) and D.E.B.S. (2004, Dir. Angela Robinson) as critical amalgams of New Queer Cinema’s historiographic project and the hyper-visibility of desexualized femme identity established in lesbian chic. Horn shows how both films offer camp assessments of lesbian representation and queer the heteronormative romantic comedy via forms of narrative and stylistic excess, to open new avenues of emotional attachment. Close analyses of soundtrack, mise en scène, and uses of cinematic stereotypes position the films within the history of lesbian representability in Hollywood cinema and minor lesbian cinema’s “unpleasure.” As a result, Horn’s readings establish both films as crucial examples of popular culture’s ongoing “Great Dyke Rewrite,” which B. Ruby Rich attested to New Queer Cinema’s lesbian contributions.

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Vorheriges Kapitel The History and Theory of Camp
Nächstes Kapitel TV in/vs. Postfeminism: Feminist Camp in 30 Rock
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Metadaten
Titel
The Great Dyke Rewrite: Lesbian Camp on the Big Screen
verfasst von
Katrin Horn
Copyright-Jahr
2017
Buch
Women, Camp, and Popular Culture

Print ISBN: 978-3-319-64845-3

Electronic ISBN: 978-3-319-64846-0

Copyright-Jahr: 2017

DOI
https://doi.org/10.1007/978-3-319-64846-0_3