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SICS Software-Intensive Cyber-Physical Systems
Erschienen in: SICS Software-Intensive Cyber-Physical Systems 3-4/2017

01.11.2016 | Special Issue Paper

The vision for MUSE4Music

Applying the MUSE method in musicology

verfasst von: Johanna Barzen, Uwe Breitenbücher, Linus Eusterbrock, Michael Falkenthal, Frank Hentschel, Frank Leymann

Erschienen in: SICS Software-Intensive Cyber-Physical Systems | Ausgabe 3-4/2017

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Abstract

Investigating the emotional impact of historical music, e.g. music of the 19th century, is a complex challenge since the subjects that listened to this music and their emotions are forever gone. As a result, asking them for their experiences is not possible anymore and we need other means to gain insights into the expressive quality of music of this century. In this vision paper, we describe a pattern-based method called MUSE4Music to quantitatively find similarities in different pieces of music. The reconstruction of musical patterns will allow us to draw conclusions from erratic documents that go far beyond the single pieces they are referring to.
Vorheriger Artikel Pattern research in the digital humanities: how data mining techniques support the identification of costume patterns
Nächster Artikel Erratum to: The vision for MUSE4Music

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1
Within musicology there is a tradition of research on musical topics that began with a monograph by [10]. Other important contributions include the work of such authors as Kofi Agawu, Wye Allanbrook, Robert Hatten and Raymond Monelle (see [8, 9]). The basic idea of this area of research, which is almost exclusively confined to late 18th-century music, becomes clear in Danuta Mirka’s definition of a musical topic as “musical styles and genres taken out of their proper context and used in another one” ([9], p. 2). We draw on this approach. However, our concept of pattern will not be limited exclusively to styles that are taken out of their proper context but will extend to characteristic sets of musical properties in any context.
 
Literatur
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Alexander C, Ishikawa S, Silverstein M (1977) A pattern language: towns, buildings, construction. Oxford University Press, New York
2.
Barzen J, Leymann F (2014) Costume languages as pattern languages. In: Proceedings of Pursuit of pattern languages for societal change (PURPLSOC)—preparatory workshop, epubli GmbH, pp 88–117
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Falkenthal M, Barzen J, Breitenbücher U, Fehling C, Leymann F (2014) Efficient pattern application: validating the concept of solution implementations in different domains. Int J Adv Softw 7(3 and 4):710–726
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Falkenthal M, Barzen J, Breitenbücher U, Fehling C, Leymann F (2014) From pattern languages to solution implementations. In: Proceedings of the 6th international conferences on pervasive patterns and applications (PATTERNS), pp 12–21
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Fehling C, Barzen J, Falkenthal M, Leymann F (2014) PatternPedia—collaborative pattern identification and authoring. In: Proceedings of pursuit of pattern languages for societal change (PURPLSOC)—preparatory workshop, epubli GmbH, pp 252–284
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Hentschel F (2013) Festlichkeit: expressive Qualität und historische Semantik bei Beethoven. Archiv für Musikwissenschaft 70:161–190
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McKay N (2007) On topics today. Zeitschrift der Gesellschaft für Musiktheorie 4(1):159–183
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Mirka D (2014) The oxford handbook of topic theory. Oxford University Press, New York
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Ratner L (1980) Classic music: expression, form, and style. Schirmer, New York
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Schumm D, Barzen J, Leymann F, Ellrich L (2012) A pattern language for costumes in films. In: Proceedings of the 17th European conference on pattern languages of programs (EuroPLoP). ACM, pp 221–249
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Metadaten
Titel
The vision for MUSE4Music
Applying the MUSE method in musicology
verfasst von
Johanna Barzen
Uwe Breitenbücher
Linus Eusterbrock
Michael Falkenthal
Frank Hentschel
Frank Leymann
Publikationsdatum
01.11.2016
Verlag
Springer Berlin Heidelberg
Erschienen in
SICS Software-Intensive Cyber-Physical Systems / Ausgabe 3-4/2017
Print ISSN: 2524-8510
Elektronische ISSN: 2524-8529
DOI
https://doi.org/10.1007/s00450-016-0336-1

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