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Erschienen in:
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2018 | OriginalPaper | Buchkapitel

9. Demystifying or Destroying? Cultural Heritage and Tradition in Playing the Tabla, and Developing the Electronic Tabla and Digital Notation System

verfasst von : Jerri Daboo

Erschienen in: Digital Echoes

Verlag: Springer International Publishing

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Abstract

In this chapter, Daboo offers a discussion of an innovative practice-based research project undertaken with musician Kuljit Bhamra to create an electronic version of the Indian tabla drums, as well as a related new approach to notation and teaching for the instrument. The chapter explores complex questions of cultural heritage, tradition and adaptation in performance forms in diaspora communities. As well as outlining the collaborative process involved with creating the prototype for the instrument, there is a discussion of some of the areas of contention that arose during the project’s focus group sessions with both Indian musicians and Western orchestral percussionists.

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Vorheriges Kapitel Open State: Event Spaces of Infinite Perspective
Nächstes Kapitel Digital Environments for Intercultural Content: A Case Study on the Asian Shakespeare Intercultural Archive
Fußnoten
1
This interview, and some others used in this chapter, were conducted as part of the AHRC-funded ‘Southall Story’ project run by Jerri Daboo, which undertook an extensive cultural history of the diasporic town of Southall.
 
2
I have elected to use initials for the participants of the focus groups, however they all gave their signed informed consent to the discussions from the sessions being used.
 
Literatur
ASEAN. 2009. Roadmap for an ASEAN Community, 2009–2015. Jakarta: ASEAN Secretariat.
Bhamra, Kuljit. 2017. Read and Play Indian Tabla Drums. London: Keda Music.
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Katrak, Ketu H. 2002. Changing Traditions: South Asian Americans and Cultural/Communal Politics. The Massachusetts Review 43 (1): 75–88.
Khabra, Gurdeep John Singh. 2012. Music of the Sikh Diaspora: Devotional Sounds, Musical Memory and Cultural Identity. Sikh Formations 8 (2): 147–170.CrossRef
Kippen, James. 2002. Wajid Revisited: A Reassessment of Robert Gottlieb’s “Tabla” Study, and a New Transcription of the Solo of Wajid Hussain Khan of Lucknow. Asian Music 33 (2): 111–166.
Morrison, Toni. 1987. Beloved. New York: Alfred A. Knopf.
Naidoo, Roshi. 2005. Never Mind the Buzzwords: “Race”, Heritage and the Liberal Agenda. In The Politics of Heritage: The Legacies of ‘Race’, ed. Jo Littler and Roshi Naidoo, 26–48. London: Routledge.
Roda, P. Allen. 2015. Ecology of the Global Tabla Industry. Ethmusicology 59 (2): 315–336.CrossRef
Shepherd, Frances. 2011. Interview with Jerri Daboo for the ‘Southall Story’ Project, June 11.
Sura, Manu, 2011. Interview with Jerri Daboo for the ‘Southall Story’ Project, June 12.
Tolia-Kelly, Divya. 2004. Locating Processes of Identification: Studying the Precipitates of the Re-Memory Through Artefacts in the British Asian Home. Transactions of the Institute of British Geographers, New Series 29 (3): 314–329.CrossRef
Virdee, Sandeep. 2011. Interview with Jerri Daboo for the ‘Southall Story’ Project, June 24.
Widdess, Richard. 1994. Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad. Ethnomusicology 38 (1): 59–79.CrossRef
Metadaten
Titel
Demystifying or Destroying? Cultural Heritage and Tradition in Playing the Tabla, and Developing the Electronic Tabla and Digital Notation System
verfasst von
Jerri Daboo
Copyright-Jahr
2018
Buch
Digital Echoes

Print ISBN: 978-3-319-73816-1

Electronic ISBN: 978-3-319-73817-8

Copyright-Jahr: 2018

DOI
https://doi.org/10.1007/978-3-319-73817-8_9